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Mint Theater Company

Days to Come

August 29, 2018

"Days to Come" fills in the gap in Hellman’s career between her first play, the controversial "The Children’s Hour," and the immediate successors, the hugely commercial hit and often revived, "The Little Foxes" and the New York Drama Critics Circle Award-winning "Watch on the Rhine." Completists will want to see this play which has not been seen in New York for over 40 years. The Mint Theater Company’s revival of "Days to Come" is an example of a worthy, lost play whose problems haven’t yet been solved – if they ever will. See it now as there probably will not be another chance anytime soon. The Mint is to be applauded for taking a chance on this rarely seen, but estimable failure. You will not be bored but you may not be convinced. [more]

Conflict

June 30, 2018

With Miles Malleson’s 1925 "Conflict," being given its New York premiere, the Mint has uncovered a brilliant political and social drama which has tremendous relevance for today with its dissection of conservative and liberal points of view. It resembles Shaw and Tom Stoppard in its debate of ideas and Galsworthy and Arthur Miller in its moral integrity. Superbly directed by Jenn Thompson ("Women Without Men") with a crackerjack cast, this is not only one of the Mint’s best offerings, it is also the most satisfying play in town. Framed as both a thriller and a romantic comedy, Conflict is absorbing and exciting theater throughout, the sort of play that has you hanging on every word to see which way it will go. [more]

Hindle Wakes

February 4, 2018

Stanley Houghton’s once controversial "Hindle Wakes" explodes everything you have ever been taught about the double standard and the place of women in society. The irrefutable logic of the characters in this play can only leave you with one conclusion. Gus Kaikkonen’s superb production for the Mint Theater Company restores this forgotten play to its rightful place in British drama. Had the playwright not died prematurely the year after "Hindle Wakes"’ premiere, the play would most likely have not fallen into an almost 100 year eclipse. Ironically, the Me-Too movement reminds us that the philosophy that “boys will be boys” is both immoral and indefensible. [more]

The Suitcase Under the Bed

August 27, 2017

Exquisitely produced by the Mint Theater, Jonathan Bank’s direction is leisurely and slow, which undercuts the theatricality of all but the last and the most satisfying one, 'The King of Spain’s Daughter," originally given four separate stage productions at the Abbey from 1935-1939 and two in London in 1939. Using a company of seven, the actors appear in varying combinations while all appear in the third play, "Holiday House. " Two of the plays end too abruptly calling out for a more substantial length, while one of the plays seems to go on too long. [more]

The Lucky One

May 19, 2017

Director Jesse Marchese has cast the play very strangely. Ari Brand’s Bob is a good deal shorter than his younger brother so that one must continually remind one’s self which is which. As Pamela, Paton Ashbrook also is taller than Bob. Is this a subtle hint that she doesn’t belong with him? Gerald has three friends who are guests in his father’s house. Andrew Fallaize’s Tommy, an idle fellow mad about golf, and his girlfriend Letty, played by Mia Hutchinson-Shaw, seem so much younger than Gerald that it stretches the imagination that they are his close friends. Gerald’s friend Henry Wentworth, a successful barrister played by Michael Frederic, looks so much older that it also seems rather unbelievable that they are bosom buddies. A delightful Cynthia Harris plays wise, compassionate Great Aunt Harriet in such an astute manner that she highlights all the subtext of her lines, the only actor in the production to do so. [more]

Yours Unfaithfully

January 28, 2017

One problem is that the play (unlike Noel Coward’s "Design for Living" or Somerset Maugham’s "The Constant Wife" which cover similar territory) is neither witty not clever, and none of the lines are particularly sparkling or original. While the play may delineate liberated sexual behavior, its drawing room comedy format is too conventional and refined. All five performers always seem to be acting as their style is too arch to be truly believable. [more]

A Day by the Sea

August 30, 2016

Now that we have been through all the angry play movements, literate writers like N.C. Hunter and Terence Rattigan are once again ripe for revival. While in his own time, Hunter was criticized for being too much like Chekhov that now seems a plus in the days of sloppy craftsmanship and plays that are really movie scenarios staged in the theater. "A Picture of Autumn" was obviously a post-war British variation on Chekhov’s "The Cherry Orchard," while Waters of the Moon resembles "The Sea Gull." "A Day by the Sea" owes a great deal to Chekhov’s "Uncle Vanya" and includes the same basic cast of characters. [more]

Women Without Men

March 15, 2016

Thompson’s direction is taut, nuanced and compelling and she found the ensemble to not only make their characters entirely distinct but to make us feel these women have lived together for years. Emily Walton is charming as the idealistic Jean who comes to feel that there is no place for her in such a poisonous environment. As her nemesis Miss Connor, Kellie Overbey is sympathetic as a woman who feels that life has given her a poor hand but that her writing makes it all worthwhile. Mary Bacon is a tower of strength as the stalwart Miss Strong who after 18 years refuses to be pulled into the petty wrangling as her way of survival. [more]

The New Morality

September 28, 2015

When American born Londoner Harold Chapin was killed in W.W. I in 1915, he was a highly regarded actor, stage manager and playwright, although not as famous as his colleagues George Bernard Shaw, James Barrie or John Galsworthy. While he had completed four full-length plays, his early death led to an eclipse of his work and his fame. In the centenary of his death, the Mint Theater Company well-known for uncovering lost works of merit, has revived his major comedy, "The New Morality." While Jonathan Bank’s production is elegant and polished, this diverting play unfortunately seems lightweight and thin today. [more]