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Merce Cunningham

CunningGraham Technique Comparison

February 9, 2020

Hosted by the Graham Company’s elegant director Janet Eilber, the program began with some historical comments after which two groups of dancers, one representing the Graham technique from Graham 2 and the other the Cunningham technique from the Merce Cunningham Trust entered the large studio/theater.  They performed parallel exercise routines, the Graham side guided by Virginie Mécène, Graham 2’s director and former Graham star and the Cunningham contingent guided by two former Cunningham members Jennifer Goggans and the aforementioned filmmaker Madoff. [more]

Fall for Dance 2019: Program 4

October 14, 2019

The final work, “Unveiling” by Sonya Tayeh, director of Tayeh Dance, known now as the choreographer of the Broadway hit 'Moulin Rouge!," used a trio which appeared to be about a female (the American Ballet Theatre star, Stella Abrera) an interloper interfering with a gay relationship between Robbie Fairchild (formerly of the New York City Ballet and the star of An American in Paris on Broadway and the West End in London) and Gabe Stone Shayer. What made “Unveiling” the hit that it proved to be was the music performed live by the super-humanly talented Moses Sumney who stood on a small platform singing, wailing, thumping, rattling and otherwise issuing a spectrum of gorgeous sounds that supported Tayeh’s complicated portrait. [more]

The Sarasota Ballet: Summer 2018

August 17, 2018

The Sarasota Ballet, under the direction of Iain Webb, a former leading dancer with the Royal Ballet, has, to the benefit of the dance world, been collecting works by the British master choreographer, Sir Frederick Ashton.  Even Ashton’s artistic home base rarely performs his work, despite the fact that that troupe’s elevation from Sadler Wells Ballet to Royal Ballet was largely due to Ashton’s efforts.  (The troupe’s repertory also includes works by Ashton’s contemporaries, such as Antony Tudor, Dame Ninette de Valois, Agnes de Mille and Michel Fokine.) [more]

Women/Create! A Festival of Dance 2018

June 24, 2018

Jennifer Muller, of Jennifer Muller/The Works, whose artistic history includes a long association with José Limon, provided “Shock Wave,” a world premiere to a cello-heavy score by Gordon Withers.  “Shock Wave,” with its suggestive title, showed how darkness and loneliness can pervade a microcosmic set of people—The Works’ members—as they are stopped in their paths by a loud explosion and have to cooperate to re-group and go on. [more]

Ellen Cornfield/Cornfield Dance: “Close-Up” (2017)

May 23, 2017

There was a mysterious coolness about “Close-Up” which, according to a program note by Ms. Cornfield, was meant to delve into the personalities of her five dancers, doing this by assigning very particular gestures—touching the face with a finger, holding a palm to the forehead, quivering hands, mimed pouring, nods—and facial expressions like appearing to laugh or shout to each dancer. She called these intimate, non-dance details, “zoom close-ups.” These quirky bits were additions to sleek, catlike movements that included lunges, low leg circling and the kind of balletic movements that were the centerpiece of Cunningham’s choreographic output. [more]

From the Horse’s Mouth Celebrates Gus Solomons jr

April 6, 2016

Nearly thirty speakers glorified Solomons, but none quite as well as himself who appeared in three bits that deftly paid tribute to—and simultaneously gently poked fun at—his two choreographic mentors. Watching Solomons’ Martha Graham and Merce Cunningham hand puppets debating their individual philosophies of the art of dance, while getting their personality foibles down perfectly, was the highlight of the program. This was the rare Horse’s Mouth in which the object of the show performed. [more]