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Mark Morris

Mark Morris Dance Group 2019: “Sport”

July 12, 2019

The world premiere “Sport,” choreographed to more than twenty bits and pieces by Erik Satie, appropriately named “Sports et divertissements” (played by the brilliant pianist Colin Fowler), was a not very exciting examination of every competitive sport from golf to sailing to swimming to running to tennis to etc. Dressed in Elizabeth Kurtzman’s colorful one-piece overalls, the cast of twelve imitated in both exaggerated and subtle ways these activities, sometimes in silence and sometimes to the Satie music. Morris is imaginative enough to turn athletics into dance, but the work was simply too episodic and disjointed even with his use of repeated motifs—like dancers being dragged across the stage on large swaths of cloth—to give the work some unity and form. The end result was more of beautifully crafted mime than a full-fledged ballet. [more]

Mark Morris Dance Group: Pepperland

May 16, 2019

"Pepperland," however, will not do anything for Morris’ reputation as a choreographer.  His dearth of choreographic invention—including constant repetition of a few steps, gestures and partnering tricks—was hidden behind colorful period costumes (Elizabeth Kurtzman), an odd set consisting of piles of reflective ribbons (Johan Henckens), inspired lighting (Nick Kolin) and fantastic arrangements of songs from the Beatles’ landmark 1967 "Sgt. Pepper’s Lonely Hearts Club Band" album (Ethan Iverson).  There’s something to be said for simplicity, but if it were not for the other elements "Pepperland" would not hold up to some of his other ingenious masterpieces like "Grand Duo," "Dido and Aeneas" and his superb "L’Allegro, Il Penseroso ed il Moderato." [more]

Fall for Dance – Program E

October 23, 2017

The highlight of the program was watching the world-renowned premier danseur David Hallberg perform a work specially commissioned for him by Fall for Dance.  Mark Morris, the equally famous and respected choreographer, chose Benjamin Britten’s “Twelve Variations for Piano” as his score for the coyly humorous “Twelve of ‘Em.” The tone was set by Isaac Mizrahi’s wry costumes for both Mr. Hallberg and the adroit pianist Colin Fowler who was totally in synch with Morris’ tongue-in-cheek sense of humor.  Both wore ancient Greek-like flowing tunics over t-shirts and jeans.  [more]

The Hard Nut

December 22, 2015

"The Hard Nut" is certainly beautiful to behold, its production design based on the work of Charles Burns whose graphic novels feature vividly surreal and haunting images. But, it’s also frustratingly erratic—slow at some points, confusing in others—and shtick-laden, with silliness too often overriding beauty and romance. The brilliantly witty sets and inventive costumes by Adrianne Lobel and the late Martin Pakledinaz, respectively, are totally in synch with Morris’ wickedly camp mentality. Indeed, they are a show in themselves, beautiful and witty in equal measures. [more]