Marcia DeBonis Archives - TheaterScene.net

Marcia DeBonis

The Trees

March 7, 2023

Borinsky’s dialogue is filled with colorful, quirky lines which are often funny and entertaining, but the entire script borders on absurdity without a cohesive through point. There are a handful of lines which carry a promise of meaning, but most are tossed into the air like tweets, missing connections and lacking purpose. There’s a passage inspired from Deuteronomy 20:19, which, if it’s supposed to be the inspiration for the plot, stands alone as one of the few sage moments in the story. [more]

Everything Is Super Great

November 28, 2019

Stephen Brown’s "Everything Is Super Great" is a small, unpretentious play about an American family in crisis. That is not a novel theme, of course, but "Everything" rises gracefully to the occasion. Brown demonstrates his considerable skill for creating characters you can latch onto and root for. Director Sarah Norris—along with a gifted quartet of actors—has gently and thoughtfully taken Brown’s story up a notch, finding colors that may not have been evident on the page but that augment the script nicely. The resulting production is a lovely thing to behold. [more]

Mary Page Marlowe

July 17, 2018

After establishing himself as one of our finest playwrights with such works as "Killer Joe" and "August: Osage County," Tracy Letts seems to have somewhat lost his way with his more recent "Mary Page Marlowe." Now playing at the Second Stage Theater in New York, "Mary Page Marlowe" premiered at Chicago’s Steppenwolf Theater two years ago. With six different actresses representing the title character at many different times in her life, it essentially relates a single, long life span, in only 90 long minutes. [more]

Small Mouth Sounds

July 27, 2016

Inspired by the playwright’s attending a silent spiritual retreat at an upstate New York institute in the woods, this is an absorbing play which immediately causes the viewers to listen intently as our world is never really silent. In Stowe Nelson’s remarkable soundscape, the play begins with a torrential rain, and then proceeds to a great many sounds we usually take for granted (both performed by the actors and recorded): breathing, laughing, clicking of a pen, sighing, a gong ringing, whispers, giggling, crickets chirping, the crunching of chips, birds, a sip of tea, a sneeze, coughing, a cell phone ringing. As a result of this state of affairs and the fact that the actors (in general) don’t speak, we become attuned to watch the smallest facial expression and other forms of non-verbal communication. [more]