Long Day’s Journey into Night

Unlike many of the recent New York stagings, Eyre’s production makes it clear that the thrust of this four act play is an attempt for the Tyrones to exorcise their demons in one alcoholic infused night. Before it is over, each and every character will have bared his or her soul in one night of regret, guilt, despair and anger. So much gets revealed, there does not seem to be anything left unsaid by the final devastating curtain. He also has staged the first two acts (before the one intermission) with the characters talking so fast that it as if they do not want to have to stop and notice what they are running away from. Although Rob Howell’s bright and airy set (at least until night falls and the darkness creeps in) seems huge, all of the characters seemed to be caged animals pacing back and forth in forced confinement. [more]