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Les Waters

The Thin Place

December 13, 2019

After pillaging Ibsen in "A Doll's House, Part 2" and lampooning the former First Couple for "Hillary and Clinton," vaunted playwright Lucas Hnath’s latest piffle, "The Thin Place" is a Wallace Shawn-style talkathon aptly dedicated to the late magician Ricky Jay as it’s an exercise in flimflam.  There is more craft and profundity in the first season "I Love Lucy" episode “The Séance” with its immortal lines, “Ethel to Tillie. Ethel to Tillie. Come in Tillie.” [more]

For Peter Pan on her 70th birthday

September 14, 2017

In interviews, Ruhl says she intends this play as a gift to her mother who played Peter Pan in Iowa as a teenager.  As noble as this goal is, "For Peter Pan on her 70th birthday" never coheres into a compelling experience.  The character of Ann is fascinating but is embedded in an uninvolving scenario that is perhaps a mediation on aging, death and disillusionment. [more]

The Christians

September 22, 2015

"The Christians," Lucas Hnath’s examination of the intricacies of religion currently playing at Playwrights Horizons, comes to us at a unique cultural moment: every day, scientific advances further challenge the existence of God; ostensibly in an attempt to stay palatable to his mainstream constituents, The Pope has issued a series of proclamations regarding the acceptability of homosexuality, the truth of evolution, and other topics; "The Book of Mormon"—a patronizing, tongue-in-cheek assessment of the Church of the Latter Day Saints—is still playing to sold-out houses after five years on Broadway. Indeed, the fact that "The Christians"’ opening line, “Brothers and Sisters, let us pray,” was met with a hearty laugh is telling: today, New York audiences are largely secular and conditioned to sharpen their daggers at the very mention of Christ. To Hnath, however, the subject of religion is no joke. [more]

10 out of 12

July 8, 2015

While this is a fascinating idea, anyone who has worked in theater will tell you that Tech rehearsals are long and tedious with all the stopping and starting to get the lights, sound, set and costumes right as time is running out. Unfortunately, much of 10 out of 12 falls into this category. At two hours and 40 minutes, the play is a bit of an endurance test for the uninitiated. Although as the Tech rehearsal goes on we get to know the characters better, the play is revealing about only some of its characters. [more]