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Laurelyn Watson Chase

The Yeomen of the Guard

October 30, 2018

As for cast standouts, Greenwood excelled both musically and dramatically. His ringing, expressive vocals and crisp diction made him an audience favorite. And he created an effective character shift when the assertive and seemingly self-adoring Fairfax shaves his beard to become a rather diffident novice yeoman. Another notable turn came from David Auxier as the austere, thoughtful Sir Richard Cholmondeley, the Tower lieutenant. (Auxier also served as choreographer, providing a few athletic dance moves of the sort not always seen in Gilbert & Sullivan productions.) In terms of musicality, Benke’s Phoebe had a warm, winning, almost musical-theater sound, while Watson Chase prompted goose bumps with her vibrant top notes. The production’s orchestra sounded rich and full from overture to Act II finale. [more]

The Sorcerer (New York Gilbert & Sullivan Players)

September 17, 2017

This 1877 operetta, now celebrating its 140th anniversary, has been reduced to the nine major roles and the chorus has been eliminated. The result is a streamlined version that moves along at a steady pace under Albert Bergeret’s music and stage direction. The problem with the production is that although this is listed as a comedy, the new NYGASP revival wasn’t very funny except for several contemporary references such as “Amazon Prime” and the “changes at the White House.” [more]

Cox and Box & Trial by Jury

October 31, 2016

Introducing what he dubbed a pair of “Comedies of Crime,” NYGASP’s artistic director Albert Bergeret offered what he said was a first of a new series for the company: intimate performances of works by Sir Arthur Sullivan in the jewel box Marjorie S. Deane Little Theater performed to one piano, rather than to the usual full orchestra. In addition, the cast of "Trial by Jury" was comprised of the NYGASP’s Wand’ring Minstrels, a quintet of singers made up from the company, rather than using the full chorus, while the production of "Cox and Box" featured a newly edited version by singer/director David Macaluso. The new format for these delightfully entertaining productions had their advantages and disadvantages. [more]