Goodbye, Mr. Chips
The production is a combination of film and theater techniques which keep reminding us that we are watching a dramatization: realistic sets (designed by Jacquelyn Scott) give way to scenes in which we are on a stage. Sets also revolve for no specific reason except possibly to show the passage of time. As seen up-close on camera, they all look too clean and tidy which suggest theater sets. The 20 members of the Young People’s Chorus of New York City, augmented by an additional 20 voices (all conducted by Francisco J. Núñez), are only seen in video that appears on Chips’ blackboard or behind the windows of various rooms. We never get a sense of Chips’ running a class or his interaction with a roomful of boys. [more]
