News Ticker

Kevin Kline

The Pirates of Penzance 2018 (NYGASP)

January 2, 2019

In the plus column, it was easy on the eyes. Scenic designer Lou Anne Gilleland created agreeable though not particularly elaborate sets: a rocky stretch of seashore for the first act and a gloomy ruined chapel for the second. Lighting designer Benjamin Weill gave us a kaleidoscope sky that turned lavender or red or some other dramatic shade, according to the changing moods of the story. And Gail J. Wofford and Quinto Ott’s costumes were bright and playful, especially the flouncy sleepwear (Queen Victoria’s Secret?) worn by the female wards of Major General Stanley, the operetta’s famed “Modern Major General.” [more]

Present Laughter

April 23, 2017

As the ageing matinee idol who never forgets to check his appearance in the mirror, Kline plays a man who is always acting, both on stage and off. His animated physicality in his roles has always been in evidence but here he outdoes himself. Using his arms, hands, head, face and body as his canvas, he is almost never still showing us what can be done on each and every line. He makes even an ordinary line into a witticism and his comebacks wither with every additional jibe. He cajoles, seduces, emotes, wheedles and at the same time suggests he pities himself. He creates a bigger than life character (is John Barrymore his model?) and watching him is a lesson in consummate acting. So completely does he make Garry Essendine his own, you cannot imagine anyone else in the role – although among other New York revivals he has been played by such stars as George C. Scott, Frank Langella, Victor Garber and Coward himself. [more]