Katharine McLeod

"Love, Sex & Real Estate" moves swiftly, thanks to John D. McNally’s direction.  He skillfully manages the quick shifts between romantic liaisons, real estate discussions, Ugo’s youthful angst, and Valter’s artistic stumblings. The writing, including an over-the-top version of a Feydeau farce, complete with slamming doors, tends toward cliché, but is saved by the performances of the eager cast of fine actors. [more]