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Kate Skinner

Orpheus Descending

July 18, 2023

Among the problems with the production is the fact that there is no chemistry between Siff and Alexander. We are supposed to believe that their encounter not only brings Lady Torrance back to life but that Val falls in love for the first time. However, this is not demonstrated by their performances. Williams’ requirement that his heroine use a Southern yet Italian accent is a difficult assignment and Siff seems uncomfortable at this while her Italian accent comes and goes. More damaging still is that while we are told that Val Xavier has a positive effect on all the women who encounter him, Lady Torrance, Carol Cutrere, Vee Talbott (the Sheriff’s wife), and causing the men to be jealous, Alexander fails to exude the kind of charisma needed for this role. Not only is he too bland, he often fades into the woodwork when we should be conscious of his presence at all times. [more]

Tennessee Williams 1982

March 1, 2016

Under the umbrella title "Tennessee Williams 1982" (the year of both play’s composition the year as well as that of playwright’s death), The Playhouse Creatures Theatre Company is presenting the world premiere of “A Recluse and His Guest” (to be published this summer) and the New York premiere of “The Remarkable Rooming-House of Mme. Le Monde,” (included in the 2008 volume, The Traveling Companion and Other Plays.) Not only are these unfamiliar plays uncharacteristic of the writer’s other work (a fable and a Grand Guignol), they have been given a surrealistic production by director Cosmin Chivu who directed the 2013 provocative revival of "The Mutilated" which demonstrated the viability of that black comedy once consigned to the scrap heap. Both plays in this doublebill are unified by their cynicism and their dark view of the world. While the plays may not be to everyone’s taste, the doublecasting of the two plays demonstrates remarkable versatility on the part of the talented cast, which is at times uneven. [more]