K.K. Moggie

Eureka Day

September 6, 2019

Jonathan Spector’s "Eureka Day" now having its East Coast premiere at Walkerspace is a blisteringly satiric and provocative play torn right out of the headlines. Ostensibly about how one progressive elementary school handles a case of mumps due to many anti-vaxxers, the play also tackles many other hot button topics. Ultimately, the play’s message is that with too much sensitivity and too much political correctness nothing can be accomplished. It is a wake-up call for all of us. [more]

Passage

May 18, 2019

Christopher Chen’s exquisite and mystical "Passage" being produced by the Soho Rep is inspired by E.M. Forster’s "A Passage to India," borrowing its plot and character relationships. But while Forster’s novel was simply about the British colonization of India, Chen has something bigger in mind. Chen calls the two locales Country X and Country Y so that the audience can fill in whatever two countries they wish in whatever time. Director Saheem Ali’s superb multicultural cast offers the maximum in diversity. And in this age of nations all over the world cracking down on immigrants and immigration, the play is an investigation into our complicated feelings about The Other. [more]

Charles Francis Chan, Jr.’s Exotic Oriental Murder Mystery

November 16, 2015

The National Asian American Theater Company’s world premiere of Lloyd Suh’s "Charles Francis Chan, Jr.’s Exotic Oriental Murder Mystery" is best categorized as fiercely provocative satire. The play has two storylines. The first follows a 1960’s Frank who is developing and producing a murder mystery; the second being scenes from the aforementioned murder mystery, which is a stylized production featuring an Asian woman in white face as an elegant old debutant, and conversely an American Vietnam veteran in brown face as the Asian Detective Charles Chan, namesake to the production. [more]

Summer Shorts 2015 – Festival of New American Short Plays – Series B

August 5, 2015

Series B of Summer Shorts 2015 is similar to Series A in that all three plays are also relationship dramas, here between a woman (or three women) and a man in which the men aren’t sure they want to give in to the women. Unlike Series A, all three have endings that are open ended and rather unsatisfying to varying degrees. Although two of the three authors have excellent credits (Lucy Thurber and Robert O’Hara), the plays may feel unfinished or early drafts. [more]