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John Tartaglia

A Walk in the Woods with Playwright Chip Deffaa, His Deer, and the Ghost of George M. Cohan

December 5, 2022

Deffaa comments: “I've always loved Cohan's attitude--that 'can-do' spirit of his is inspiring.  He had no formal education; he learned by doing; and left a terrific legacy.  Just a remarkable man!  No one in Broadway history ever did as many different things as well as Cohan.  He wrote book, music, and lyrics for Broadway shows that he starred in, directed, choreographed, and co-produced.  He wrote or co-wrote some 50 Broadway shows, produced or co-produced some 80 Broadway shows.  At his peak, he owned or controlled seven Broadway theaters. “Cohan’s shows--fast, funny, and unusually well-plotted for their day--laid the foundation for modern musical comedy.  It was Cohan who made America--not Europe--the pace-setter for musical theater.  In an era when musicals were often little more than collected vaudeville acts, Cohan was creating well-plotted musical plays.  And critics took note that he was advancing the artform.  George Jean Nathan, a top critic, wrote that Cohan’s musicals were “as carefully plotted as the dramas of Euripides.”  By writing book, music, and lyrics, and supervising all aspects of production, Cohan was creating musicals far more cohesive than those before.  And the best younger people working in the theater, like Oscar Hammerstein and Irving Berlin, took note and built upon Cohan’s foundation.  Cohan was a major contributor to our culture.  He was the first member of his profession honored with a Congressional medal, presented to him by President Franklin D. Roosevelt.” [more]

Making Dreams a Reality: First Miss America’s Outstanding Teen Shares Her Journey to Off Broadway Musical

February 1, 2017

I’ve been watching Miss America since I was very little, and my sister and I would get dressed up every year in crowns and gowns and banners and I saw Miss Pennsylvania, Marla Wynne, in '92 or '93 and her talent was ventriloquism and I fell in love with it, and decided that I wanted to learn to make my Barbie’s talk. I went to my bedroom and sat in front of the mirror and figured out how to talk without moving my lips. I then got my first puppet at around age seven and started performing, but it all started watching Miss America. [more]

ON THE TOWN with Chip Deffaa, March 31st, 2015

April 1, 2015

Of course, not everybody in the arts who has potential will stick with it. There’s a high rate of attrition in the arts. The stresses and strains of pursuing a career will be too much for many people. One must have not just talent, but energy and drive and determination, plus a certain stubborn kind of stick-to-it quality that is simply all-too-rare. And you also have to be a risk-taker, with an instinct for knowing when to move out of your comfort zone and take the chance on something that excites you, even it may appear risky. [more]

AVENUE Q

March 2, 2003

Even the set is clever: Set designer Anna Louizos' two-dimensional backdrop of rundown townhouses is replete with doors and windows that pop open like the flaps on an Advent calendar, transforming segments of the stage into a disco, an apartment interior, or even the observation deck of the Empire State Building. [more]