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Jo Mei

Babette’s Feast

April 2, 2018

aithful to the story and like the film, this stage adaptation uses narration from Dinesen’s story. However, not only are the actors used as storytellers, some of the characters also narrate themselves. Set in a small town in Berleväg, Norway, the most northern outpost of the continent of Europe, the story takes place in 1883 but flashes back to earlier days using hardly any props, much in the same way that Thornton Wilder’s "Our Town" tells its story. [more]

Ensemble Studio Theatre’s 35th Marathon of New One-Act Plays: Series C

June 26, 2015

Ms. Winkler’s writing is so simple but exquisite in its execution. In twenty minutes the sad lives of the girls are deftly dramatized with a compelling range of emotion. The direction of John Giampietro is a superb display of the art of stagecraft. The clever fantasy device of the cherry trees is skillfully blended into the narrative with boldness and precision. Lighting, sound and music are all utilized to great effect so that it is all visually quite stunning. [more]

The World of Extreme Happiness

March 16, 2015

Frances Ya-Chu Cowhig’s eye-opening The World of Extreme Happiness reveals the urgent problems in contemporary China in which people from rural communities who move to the cities are second class citizens but where protest is quickly stifled, where the one-child policy causes girl children and women workers to be ignored, and the vast numbers of people in the factory cities have little access to education or money. Eric Ting’s powerful co-production for Manhattan Theatre Club and the Goodman Theatre of Chicago deserves to be seen for turning contemporary social science into the stuff of drama. [more]