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Jesse Tyler Ferguson

2016 Tony Awards Bestow Much Love on “Hamilton”

June 13, 2016

Although "Hamilton" had been nominated for 16 awards in 13 categories, it failed to break the record of Mel Brooks’ "The Producers" which remains the all-time winner with a total of 12. Hamilton took all of the top musical awards including Best Musical and Best Direction of a Musical (Thomas Kail, previously nominated for Lin-Manuel Miranda’s In the Heights) except for Best Performance by an Actress in a Leading Role in a Musical which went to British actress Cynthia Erivo. (Making her Broadway debut, Erivo was reprising her role as Celie Harris in "The Color Purple" from the 2013 Menier Chocolate Factory production re-envisioned by John Doyle.) Star Miranda won his second and third Tonys with his awards for Best Original Score (Music and/or Lyrics) Written for the Theater and Best Book of a Musical. He previously won for Best Score with his 2008 Broadway musical, In the Heights. [more]

Fully Committed

May 10, 2016

Meet Sam, a struggling New York actor whose day job is as the reservationist for a popular albeit fictional Manhattan restaurant. Seemingly surrounded by phones at every turn, Ferguson’s Sam has devices that connects him to the chef, the hostess, his manager, as well as to the outside World and those looking for a much sought after reservation. Demonstrating a full spectrum of physical and vocal capabilities, Ferguson manipulates his body and voice to bring to life the many characters that Sam interacts with over the phone. [more]

The New York Pops: Do You Hear the People Sing

May 4, 2016

Inspired by the musical Olivier! was "La Révolution Française" that was Mr. Boublil Mr. Schönberg’s first collaboration. Created in 1973, this was the first French rock opera and dealt with The French Revolution. The rousing “Parisians, Awake and Rise/ Français, Français” was performed by Ms. Glover, Mr. Jordan, Mr. Scatliffe and Essential Voices USA. The original French Cossette from "Les Misérables," Marie Zamora, was a marvelous Marie Antoinette for the wistful song “Au petit matin/In the early morning.” [more]

The Tempest

June 20, 2015

The first thing one notices on entering the Delacorte Theatre is how empty the large stage looks. In Riccardo Hernandez’s scenic design, except for a tiny desk on the right and a small pile of rocks on the left, the playing area is simply a large open expanse that is backed by scaffolding which offers a kind of balcony or catwalk and in front of which are hung curtains or screens. On this is projected dark, churning seascapes in streaming video. As the setting for the play is an island, this is initially attractive but as it continues throughout the play, it becomes both distracting and superfluous. The costumes by Emily Rebholz in black and white are also devoid of color. David Lander’s lighting occasionally turns the stage blue, green or red, but this comes as an intrusion to the rest of the concept of the production. Along with the lack of magic until almost the end of this long play, it appears as if Greif’s interpretation of the play were simply to keep things spare and unadorned. Unfortunately, this tale which calls out for enchantment and sleight of hand is not the play to do this with. [more]

Putnam County 20th Annual Spelling Bee

September 28, 2005

This musical follows the hopes, dreams and disappointments of six children (played by adults) competing in their county spelling bee, with the winner going to the Nationals. Also, competing in the contest are four pre-selected audience members. This type of gimmick usually comes off as forced, but with the help of the cast and the accommodating script, this venture into audience participation is one of the true charms of the show. [more]