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James Saito

Awake and Sing! 

July 16, 2015

"Awake and Sing!" seems at first an odd choice for NAATCO, the acting company dedicated to the advancement of Asian actors, but after an initial wary uneasiness, the cast, under the direction of Stephen Brown-Fried, soon takes command of Odets’ dated language, a mixture of poetic metaphor and heightened colloquialisms which was difficult to speak even in the 1930’s. [more]

The World of Extreme Happiness

March 16, 2015

Frances Ya-Chu Cowhig’s eye-opening The World of Extreme Happiness reveals the urgent problems in contemporary China in which people from rural communities who move to the cities are second class citizens but where protest is quickly stifled, where the one-child policy causes girl children and women workers to be ignored, and the vast numbers of people in the factory cities have little access to education or money. Eric Ting’s powerful co-production for Manhattan Theatre Club and the Goodman Theatre of Chicago deserves to be seen for turning contemporary social science into the stuff of drama. [more]

The Oldest Boy

November 17, 2014

Sarah Ruhl's latest play, The Oldest Boy, having its world premiere at Lincoln Center Theater's Mitzi E. Newhouse, is a magical spiritual investigation into the relationship between teachers and students, and mothers and sons. Based on a true story told to the author by her Tibetan housekeeper, Rebecca Taichman's production uses dance (choreographed by Barney O'Hanlon), ritual and a puppet (designed and directed by Matt Acheson) for three-year-old Tenzin. The play also has the Mother directly address the audience and features breathtaking and colorful lighting effects by Japhy Weideman on Mimi Lien's minimalist but pleasing setting, as well as beautiful Asian costumes by Anita Yavich. [more]