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James Noone

The Metromaniacs

April 26, 2018

To add that "The Metromaniacs" also contains a play within the play, in which all of the characters are apparently playing themselves, might begin to suggest how confusing it all becomes, especially since they all enter and exit with a rapidity as if there were indeed a fire in the house--meaning Francalou’s no less than The Duke Theater on 42nd Street. [more]

The Home Place

October 19, 2017

It is possible to enjoy Brian Friel’s "The Home Place" without knowing the background to this historical play set in rural Ireland in 1878 as a Chekhovian representation of a world about to come to an end. However, the play will be much more meaningful if one knows the historical events that have led up to this turn of events. Charlotte Moore’s handsome and genteel production will be enjoyed most by those who understand the play’s undercurrents and implications. The low-key staging of this subtle play which does not spell everything out requires the audience to be adept at reading between the lines. [more]

A Christmas Memory

December 5, 2014

This musical theater version of "A Christmas Memory" has been performed around the United States in regional theaters, since 2010. This year, The Irish Repertory Theatre has selected it for its annual holiday production. Perhaps in a condensed version it would have provided the desired festive entertainment. [more]

Major Barbara

November 25, 2014

In the hands of David Staller, founding artistic director of the Gingold Theatrical Group, and The Pearl Theatre ensemble, Shaw's play of ideas becomes a delightfully provocative comedy. This witty 1905 play, in a deliciously acted and designed production which concerns the age-old conflict between "God and salvation" versus "money and gunpowder," has become relevant all over again with its exploration of economic inequality. When the play was written this was heresy – today most people agree with Shaw that poverty is the biggest crime. Dan Daily, Carol Schultz and Richard Gallagher give memorably rich and impressive performances in a production that you will be sorry when it ends. [more]