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J. Bernard Calloway

Fabulation, or The Re-Education of Undine

December 20, 2018

A hard-edged picaresque fable is what playwright Lynn Nottage came up with in her enjoyable, "Fabulation, or The Re-Education of Undine" that premiered in 2004. A two-time Pulitzer-Prize winner for Drama, Ms. Nottage is in a lighter mood here but her comic sequences have a bracing tone and the dialogue has her customary skillful depth. We’re in the exaggerated territory of "Watermelon Man" and "Bonfire of the Vanities." [more]

Dear World

March 1, 2017

Having played such indomitable women as Mama Rose and Maria Callas, Daly slips into the role of the Madwoman of Chaillot which fits her like a glove with her crisp, authoritative delivery. As a woman who refuses to see reality for what it is, she gives a powerful rendition of “I Don’t Want to Know,” the show’s only hit song. She does a lovely job with the new number, “A Sensible Woman,” as well as the haunting ballad, “And I Was Beautiful.” [more]

Head of Passes

April 12, 2016

Tarell Alvin McCraney’s "Head of Passes" is an advance over his earlier work seen in New York ("The Brother/Sister Plays," "Wig Out," "Choir Boy") in its attempt to take on bigger themes and archetypes. In creating the role of Shelah, he has put on stage a magnificent role for an actress of tremendous gifts. Phylicia Rashad rises to Greek tragic heights required by Shelah’s plight. However, the meaning and message of the play remains obscure and tends to leave the audience outside of the play’s dramatic action. We watch mesmerized in horror as events unfold, but why they are happening and what is the underlying cause remains a mystery. [more]