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Franz Schubert

Natalia Osipova’s Pure Dance with David Hallberg

April 7, 2019

The evening consisted of a number of short dances in varying styles, but the final piece, “Valse Triste,” was the most successful. Osipova wore a simple, off-the-shoulder, blue dress and Hallberg wore a form-fitting unitard designed by Moritz Junge. “Valse Triste” by Jean Sibelius was the music for the plotless ballet. Choreography is an elusive art, but Alexei Ratmansky seems to have understood its secrets. Using the language and conventions of classical ballet, he designed this piece specifically for Osipova and Hallberg, and it showed off their exceptional talents and finely tuned partnership – and beautifully shared the joy of the dance with the audience. It’s the kind of short pas de deux that lends itself to gala events, so there’s little doubt that it will show up again. One wishes it were longer (it’s only six minutes). Or it would have been a wonderful treat to watch again if they had repeated it. [more]

Polish National Ballet 2015

June 20, 2015

Judging from this program only, the PNB is firmly in the mainstream of the world’s modern ballet troupes, almost indistinguishable one from the other (viz. Netherlands Dance Theater, Sydney Dance Theater, National Ballet of Spain, Houston Ballet, etc.) Mr. Pastor’s ballets are part and parcel of the international ballet style which I like to call “fun house ballet,” in which classical ballet steps and poses melt into twisty, angular shapes only to coalesce into and be punctuated by recognizable classical vocabulary. William Forsythe, a real iconoclast, began this in his purposely ugly “in the middle somewhat elevated.” The watered-down copies permeate the repertories of many dance companies. [more]

The Erlkings

November 17, 2014

The Columbine massacre is the inspiration for Nathaniel Sam Shapiro's play, "The Erlkings." Mr. Shapiro is a 25-year-old playwright who graduated from Brown University in 2012, and then completed a Masters Degree in Dramatic Writing at New York University's Tisch School of The Arts. This play, his first published, was written and workshopped there. Its grade is not known, but at The Samuel Beckett Theatre it gets a D. [more]