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Euripides

Mojada

August 4, 2019

Following up on Luis Alfaro’s critically acclaimed Chicano retelling of Sophocles’ "Oedipus Rex" called "Oedipus El Rey," The Public Theater now stages his equally relevant and timely "Mojada" which melds Euripides’ "Medea" with the Latinx immigrant experience in the big American cities. Those who know the Greek myth of Jason and Medea will be prepared; those who at the performance under review obviously did not know what was coming were shocked and horrified by the ending. Either way the play is spellbinding theater. Chay Yew, artistic director of Chicago’s Victory Gardens Theater who also directed the Public’ production of Oedipus El Rey, has staged the stunning and devastating play with an excellent cast of Hispanic-American actors which is as timely as tomorrow’s headlines. [more]

Big Dance Theater: 17c

November 25, 2017

Big Dance Theater, conceived and directed by Annie-B Parson, presented "17c" at the BAM Harvey Theater.  The work somehow combined the diary of Englishman, Samuel Pepys, the works of Margaret Cavendish (whose play-within-the-show—contemporary with Pepys—displayed proto-feminist ideals), classical theater (Euripides), modern writings on gender inequality (Jill Johnston who promoted a Lesbian world without men) with high production standards and a keen sense of storytelling all held together by a cast of great actor/dancers. [more]

The Trojan Women

September 4, 2016

Written in 415 B.C. as a criticism of the Athenian capture of Melos and the subjugation of its population earlier that year, "The Trojan Women" has remained relevant throughout the last 2,500 years due to mankind’s penchant for war. Although Ellen McLaughlin’s new adaptation makes some changes to the Euripides original, it retains its power pertinent for our own time in the wake of the refugee crisis. While at times callow, Anne Cecelia Haney’s production for The Bats is persuasive, potent and poignant. It also provides an excellent introduction to the plays that make up Greek tragedy for those who have not experienced them on stage. [more]