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Emily Dickinson

Paul Taylor Dance Company 2022

June 17, 2022

The new work on the program, a world premiere, was “Hope Is the Thing with Feathers” by Michelle Manzanales, choreographed to John Lennon & Paul McCartney, Bob Marley, Harry Woods and several others.  Using ten of the Taylor dancers, Manzanales produced a work that was charming if a tad repetitious.  Santo Loquasto’s pale costumes had an elegantly informal look. The dancers trooped on in a long line performing unison steps, lunges, leans and twists until movements moved sequentially down the line, mostly soft falls to the stage.  In between these unison sections there were jaunty solos and quick duets that segued into group dances.  The pop song soundtrack underlined the work’s informal feel.  Manzanales certainly put the dancers through their paces.  There’s nothing more appealing to an audience than a line of performers dancing their hearts out in unison! Her work shows promise but also is clearly the work of a novice.  What the ballet had to do with the Emily Dickinson poem it came from wasn’t clear. [more]

A Woman of the World

November 3, 2019

Kathleen Chalfant adds another feather to her cap as Emily Dickinson’s posthumous editor Mabel Loomis Todd in the world premiere of Rebecca Gilman’s new one-woman play, "A Woman of the World," presented by The Acting Company in association with Miranda Theatre Company at 59E59 Theaters. Staged by Miranda’s artistic director Valentina Fratti with elegant assurance, Chalfant is both fascinating and seductive as this real life woman who in the 1880’s and 1890’s scandalized conventional Amherst, Massachusetts, with her liberated and bohemian behavior long before such goings on became acceptable for women – or men. [more]

Anna Clyne: Composer Portraits at the Miller Theatre

May 5, 2015

Clyne's music is a combination of electronic and recorded material on the one hand and live performance on the other. In both process and product, Clyne incorporates and is inspired by other creative media; her works can “stand alone” or in conjunction with their original collaborators. Two works originally conceived in collaboration were performed on April 23 “on their own.” Fits + Starts for amplified cello and tape (2003) was performed without dancers; Rapture for clarinet and tape (2005) was presented without the visual components that accompanied its original performances. [more]