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Deirdre O’Connell

Becky Nurse of Salem

December 18, 2022

In any event, Ruhl has not written a play set in 1692 or a sequel to "The Crucible" but a comedy about free-spirited Becky Nurse, a descendant of the accused witch Rebecca Nurse, a pious 71-year-old woman who had nine children and was hard of hearing, who wishes to set the record straight. Although a fascinating premise, the problem with play is that it throws in everything except the kitchen sink – but, in fact, it makes use of metal freestanding toilet. The play attempts to cover multiple themes and topics: revisionist history, the opioid crisis, the generation gap, teenage suicide, the Salem Witch Trial, unemployment, medical care, the supernatural, adultery, and office harassment. Conceived and written between 2016 - 2019, the play also tries to connect Trump Rallies in which the crowds shouted “Lock her up” and Trump’s repeated use of the words “witch hunt” and his attempt to appear the victim to the hysteria of the Salem Witch Trial in 1692. All of this is too much weight for any one play. Director Rebecca Taichman’s uneven production does not help, though much of that is the fault of the shift in tone in the writing. [more]

Dana H.

February 26, 2020

Wearing costume designer Janice Pytel’s arresting black and red ensemble, Ms. O’Connell mostly sits in a chair on scenic designer Andrew Boyce’s authentically detailed drab and ominous motel room set. With her haunting eyes, flowing hair and magnetic countenance, O’Connell vividly channels Higginbotham’s presence. Her lip-synching, gestures and facial expressions are all flawless. The presentation’s conceit is realized by O’Connell’s supreme artistry. [more]

Thunderbodies

October 29, 2018

In Kate Tarker's satiric "Thunderbodies," America is a relentlessly strange place, where people spout nonsense, act without reason, and are led by the narcissistic man-baby they've elected president. To state that the playwright has hit the nail right on the head might sound like a compliment, but it's not, mostly because Tarker accomplishes this small feat with very little wit and even less insight. Substituting outrageousness for both, she tosses the play down a Rabelaisian rabbit hole, desperately trying to hold on to our attention at the cost of anything that might demand just a little bit more. [more]

Terminus

February 27, 2018

In the semi-autobiographical "Terminus," part of a seven-play cycle set in the fictional town of Attapulgus, Georgia, playwright Gabriel Jason Dean unleashes this intriguing Southern Gothic setup which touches off a deeply felt personal story about racism in a place that is obviously more real to Dean than imagined. Unfortunately, as it goes along, Dean’s initially captivating ghost story exponentially loses steam, finally grinding to a halt well before Eller’s big, shameful secret is revealed at the play’s not-so-stunning conclusion. [more]