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Dana Watkins

The Bigot

May 3, 2019

"The Bigot"’s mouthpiece is the splendid Stephen Payne. Scruffy and silver-haired, Mr. Payne revels in Jim’s cantankerousness and physical decrepitude. Bellowing in his resonant twangy voice as if in a Sam Shepard play, Payne is able to make the most corrosive statements sound funny while expressing emotion. His vivid characterization emits humanity, making the crusty Jim much more than just an ogre. By the end of the play, the role has accumulated the impact of an Arthur Miller-type figure due to Payne’s intense performance. [more]

Summer Shorts 2017: Festival of New American Short Plays – Series A

August 2, 2017

"Acolyte" by Graham Moore, Academy Award winner for his 2013 screenplay for "The Imitation Game," is a more substantial play than the other two. Based on an historical occurrence in 1954, it brings together two couples, Ayn Rand (founder of Objectivism) and her husband Frank O’Connor and her follower, Nathaniel Branden and his wife Barbara, for one of her weekly dinner parties. Rand has asked the Brandens to remain after all the guests have left following a vigorous debate on Aristotelean principles versus Platonic realism. [more]

Summer Shorts 2016 – Series B

August 15, 2016

Richard Alfredo’s 'The Dark Clothes of Night," a brilliant parody/homage to film noir and hardboiled fiction, the third play of Summer Shorts – Series B, is so good it alone is worth the price of admission. The other two plays which precede it in this year’s 10th Festival of New American Short Plays have interesting but undeveloped premises. But "The Dark Clothes of Night" is an instant classic, a humorous satire that is also a brilliantly theatrical study in paranoia, fear and evil and the elements that made film noir irresistible. Directed by playwright Alexander Dinelaris, the three actors in this memorable short work play multiple roles with assurance and aplomb. [more]