News Ticker

Dan Daly

Tammany Hall

November 5, 2021

Co-creators and co-directors Darren Lee Cole and Alexander Flanagan-Wright have crafted a novel documentary premise, enforced with immaculate historical detail without being pedantic. The events and sense of this period are imparted through precise information characters deliver. That’s aided by the company wearing costume designer Grace Jeon’s smart dark suits, a variety of hats, and smashing flapper dresses. Lighting designer Emily Clarkson and sound designer Megan Culley add to the authenticity with their high caliber contributions. [more]

Up the Rabbit Hole

September 27, 2017

Besides harboring a dwindling dream to become a dancer, thanks to a leg injury, Halliday’s dramatic stand-in, Jack (Tyler Jones), an adoptee, also has to contend with the overwhelming repercussions of having tracked down his biological family, which includes an adult half-brother (Andrew Glaszek) with his own substance-abuse demons. That’s a lot for 90 minutes, and Halliday, despite a valiant effort, can’t keep his play from sinking under the weight of it all. [more]

The Good Girl

February 21, 2016

The chemistry between Gabriel and Baessato is fierce and electrifying as they get to know each other, and intensifies as Van begins to observe the human-like behavior of the robot and is determined to find out more. Anjali is hesitant to let him in on the secret, but reveals that the robot has developed an emotional bond to her, and sometimes responds to certain feelings such as loneliness and separation – often uttering the words, "don't leave me" through the door. Van is fascinated at what he finds out and the two join forces to figure out how best to capitalize on the service of the sex robot and how she can accommodate a greater (and richer) clientele by playing into their fantasy of the obedient housewife. [more]