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Conor Donnelly

Friends! The Musical Parody

July 28, 2021

The problem with the show now at The Jerry Orbach Theater is director Tim Drucker’s frenetic, over-the-top staging and the artificially broad presentational style of the acting, similar to - but beyond - what he did in his 2019 production of "Love Actually? The Unauthorized Musical Parody" at the same theater. It is as though he does not trust the material. Matthew Fischer’s sound design for the taped score by composer Assaf Gleizner (to Gleizner’s orchestrations) is overly loud and fast, overpowering the clever lyrics which are well worth hearing for their stinging barbs at the television series. It also makes all of the songs sound the same, except for some short, slower folk ballads set to guitar accompaniment which are mostly oddball numbers for Phoebe to play in her gig as a folksinger. [more]

Forbidden Broadway: The Next Generation

October 17, 2019

This is the latest edition of creator, writer and director Gerard Alessandrini’s enduring musical spoof skewering present and past NYC theater that he inaugurated- in 1982 and has had over 20 incarnations. Mr. Alessandrini’s erudite, affectionate and acerbic script once again lambasts Broadway while lovingly celebrating its history during its 20 numbers. “Theater isn’t art, unless it hurts.” It’s that aching sense of the collectively treasured memorable greatness of Broadway clashing with its mercenary concerns that enables each version of the show to resonate while entertaining. Plus, it’s very funny and offers a showcase for talented malleable performers. [more]