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Claudia Brown

Southern Promises

April 1, 2019

Playwright Thomas Bradshaw seems to have taken literally the dictum in theater to “Astonish!” His plays like "Burning," "Intimacy," "Job," and "Fulfillment," to name only a few seen in New York in recent years, are shocking, disturbing and an assault on both the actors and audience. In The Flea Theater revival of his 2008 play, "Southern Promises," director Niegel Smith seems to have taken this one step further. In this play about race relationship between masters and slaves set in 1848 Virginia, an antidote to the theory of the benevolent slave owner, the ten-member cast of The Bats, The Flea’s young repertory company, informs us that they are all people of color and that they do not have legacy of confronting slavery on their terms. Several of them reveal that they have had DNA tests performed and discovered that they are of mixed blood, making them both black and white. [more]

Syncing Ink

October 11, 2017

Mr. Njikam offers a witty take on the classic mythology of a hero’s episodic journey with a lively African-American slant. There are a lot of high school and college scenes with wise teachers referring to James Baldwin and W.E.B. Du Bois, combative students, a dying father and an imperious mother. Rhyming battles, love and enlightenment occur along the way. The narrative is so eventful and spread out that it can be difficult taking it all in and its overall impact is diluted. [more]

The Place We Built

May 6, 2016

As Hungary took a turn to the extreme right in recent years, anti-Semitism and xenophobia not only raised their heads, but became de facto pillars of the new government. The Place We Built delves into the personal plight of an ad hoc blending of often contentious, mostly loving twenty-somethings who inadvertently wind up building and creating a meeting place of like minds in the old Jewish Ghetto and thereby defying and antagonizing the powers-that-be. [more]