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Cameron Anderson

Cat Kid Comic Club

August 7, 2023

The family-oriented TheaterWorksUSA’s latest musical adaptation of the best-selling children’s novels of Dev Pilkey is "Cat Kid Comic Club: The Musical," an exuberant colorful one hour irreverent entertainment for children of all ages. Written by Kevin Del Aguila (book and lyrics) and Brad Alexander (music) who previously wrote the highly successful "Dog Man: The Musical" from the earlier Pilkey series, "Cat Kid Comic Club" is surprisingly faithful to the book of the same name and will not disappoint its many fans. With clever and imaginative direction by Marlo Hunter and her design team which uses puppets as well as live actors, the hard-working cast of six (almost all of whom appeared in TheaterWorks’ "Dog Man" musical) play multiple roles to tell this hilarious and surprising story. [more]

C.S. Lewis’ The Screwtape Letters

December 21, 2018

Some novels are more stage-worthy than others, and "C.S. Lewis’ The Screwtape Letters" is not among those that are. As adapted for the stage by Max McLean--who also directs the production with a flair for the grotesque--and Jeffrey Fiske, "C.S. Lewis’ The Screwtape Letters" is an unfortunate jumble of gibberish and gobbledygook, told at breakneck speed by Brent Harris, who is playing His Abysmal Sublimity Screwtape. [more]

The Screwtape Letters

January 19, 2016

This Grand Guignol concept is sensationally realized by the striking physical production. John Gromada’s chilling sound design configures his spooky original score with its dominant organ along with bomb blasts and other sound effects for very effective results. Cameron Anderson’s scenic design is a dazzling haunted house affair with the stage wall covered in tiny bones and skulls, a ladder and ramp for the creature to scamper on, and manor-style furnishings. Hellish red hues are prominent features of Jesse Klug’s eerie lighting design. [more]

City Of

February 10, 2015

Unlike Strindberg’s "Dream Play," it is not always possible tell what is real and what is dreamed from what the main characters say. Aside from the ghosts and the painting that comes to life, the additional characters (played by two actors) including a gargoyle on the top of the Cathedral of Notre Dame who has fallen in love with a pigeon, the Green Fairy that is the essence of Absinthe, the ghost of Dash’s mother, and a talking sewer rat. Along with the story of the horny curator of the Musée de l’Homme (an actual but obscure tourist site), it often feels like there are too many stories and quests going on at the same time - unless the point is that for the author Paris is a city of journeys. With much of the dialogue in poetry, "City Of" is often too precious for its own good. [more]

Gotham Chamber Opera: Alexandre bis & Comedy on the Bridge

October 26, 2014

Since 2001, Gotham Chamber Opera has specialized in the production of major operas – well known, not known, new, traditional, experimental – and has developed a reputation for intelligence and a consistently high level of artistic integrity. This pair of Martinu comic operas, sung by an enthusiastic young cast performing on a gorgeously set stage, preserves Gotham Chamber Opera's fine reputation. [more]