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Brad Peterson

Cheek to Cheek: Irving Berlin in Hollywood

December 6, 2021

This show is conceived, directed, and choreographed by Randy Skinner, and his four-time Tony Award-nominated talents shine throughout the production. The choreography is inventive, interactive, fun and impressive. His staging is well-balanced and keeps the transitions moving. The opening number, “Let Yourself Go” ("Follow the Fleet," 1936), sets the bar high with dynamic tapping that leaves the audience exhilarated and ready for more. Barry Kleinbort’s book is packed with interesting Berlin history and is full of charm and wit. Thank you, casting director Michael Cassara, for the great ensemble cast! Six performers were chosen to present this material:  Phillip Attmore, Jeremy Benton, Victoria Byrd, Kaitlyn Davidson, Joseph Medeiros, and Melanie Moore. All six actors move through the evening in harmony, both physically and vocally, interacting with each other in song and dance as though in conversation. [more]

Broadway Bounty Hunter

August 7, 2019

Composer-lyricist Joe Inconis’ follow up to his teen favorite, "Be More Chill," is not only a showcase for musical comedy actress Annie Golden but a tribute to the Blaxploitation and Martial Arts movies of the 1970’s and 1980’s. While "Broadway Bounty Hunter" is very entertaining, it might have been a better show if had not been so anxious to not be a parody or a satire. Written by Iconis and longtime collaborators Lance Rubin and Jason Sweettooth Williams, energetic cast, fully attuned with their concept has been directed and choreographed with fierce energy by Jennifer Werner who has previous created the dances for five of Iconis’ last six shows. [more]

The Stone Witch

April 6, 2018

Lauria, best known for his work on "The Wonder Years," makes Simon an immensely private and enigmatic figure. His erratic behavior changes by the moment, keeping Peter (and us) guessing. We are never certain whether he had incipient dementia or is faking or is suffering from malnutrition or dehydration living for so long in a cabin in the woods. This is a big performance and Lauria brings great authority to his role. [more]

Red Roses, Green Gold

October 30, 2017

The score is comprised of Jerry Garcia & Robert Hunter’s Grateful Dead music and lyrics with additional music and lyrics by Phil Lesh, Mickey Hart, Bob Weir, and Bill Kreutzmann. It’s all an engaging patchwork well-realized by Jeff Chimenti’s polished musical supervision and arrangements. Though it’s wonderful experiencing such spirited renditions of Grateful Dead classics such as “Truckin,” “Casey Jones,” “Alabama Getaway” and “A Touch of Grey” by the talented ensemble, "Red Roses, Green Gold" doesn’t really cohere into a satisfying work of musical theater. [more]

Cats

August 9, 2016

The debonair resident of posh St. James, and Gus, the theatre cat, are both played with finesse by Christopher Gurr, whose “Gus the Theatre Cat” who nearly steals the show away from the more famous “Memory,” here sung by an underwhelming, but pretty-voiced Leona Lewis, the British three-time Grammy Award nominee, as the bedraggled, superannuated beauty, Grizabella. Mr. Gurr’s wistful singing and great acting movingly communicate his tale of theatrical greatness and all the actors he had known (most completely forgotten by contemporary audiences). [more]