Billy Eugene Jones

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

October 5, 2023

In 1961, Ossie Davis channeled the hurt of growing up in segregated Georgia into "Purlie Victorious: A Non-Confederate Romp Through The Cotton Patch," humorously attacking the cause of his suffering rather than giving into it. A Broadway revival of the play, the first since those heady days of the modern Civil Rights Movement, is a current reminder that it's possible to smile through the pain. That it's a needed one is the tragedy. [more]

Fat Ham

April 19, 2023

When it comes to modern adaptations of Shakespeare plays, many theatergoers tend to treat them like a test, mentally annotating plot and character correlations as if their high school English teachers were going to tap them on the shoulders and ask, "Did you catch that one?" If you suffer from this same hang up, then consider James Ijames' Pulitzer Prize-winning "Fat Ham" therapy, not only encouraging its audience to break free from fawning fidelity to the Bard but also, more poignantly, tragic endings. Simply put, for Ijames' insightfully idiosyncratic take on Hamlet, we're not in Elsinore anymore, and that's a good thing. [more]

Where the Mountain Meets the Sea

November 19, 2022

A touching portrait of a father and his alienated son unfolds in the Manhattan Theatre Club’s "Where the Mountain Meets the Sea" by Jeff Augustin, directed by Joshua Kahan Brody. ... "When the Mountain Meets the Sea" is not only about two different people, but two different time periods. Jean exists in memory while Jonah’s journey is to cross the country, retrieve Jean’s ashes and spread them over Haiti. [more]

Fat Ham

May 30, 2022

James Ijames’ "Fat Ham" (all puns intended) is the latest and most successful modern riff on the Bard turning Hamlet into an expression of the Black experience while at the same time having much fun at Hamlet’s expense. As one of the few comedies to ever win the Pulitzer Prize, we should be hearing more soon from this talented playwright whose "Kill Move Paradise" in 2017 appears to be his only other New York credit, also directed by Saheem Ali. Already an associate artistic director/resident director with The Public Theater, Ali has previously worked wonders with "Merry Wives," "Nollywood Dreams," "Shipwreck," "Fires in the Mirror," "The Rolling Stone," "Passage," and "Fireflies," among others at various theaters around town. As usual his casting choices are perfect to the nth degree. [more]

On Sugarland

March 8, 2022

Aleshea Harris’ third New York stage play following her form-bending "Is God Is" and "What to Send Up When It Goes Down" is epic in all senses of the word: it includes poetry, dance, incantation, comedy and drama. The new play "On Sugarland," an anti-war drama, also harks back to the Greeks, borrowing characters from Sophocles’ "Philoctetes" and Euripides’ "The Trojan Women," as well as the concept of the Chorus. It tells three interwoven stories as well as one communal one and ends with a shocking finale that is the hallmark of Greek tragedy. Director Whitney White’s production with its cast of 14 is quite versatile and lives up to its lofty task. [more]

A Soldier’s Play

February 5, 2020

David Alan Grier, Blair Underwood and Billy Eugene Jones in a scene from Charles Fuller’s “A [more]

Much Ado About Nothing (Free Shakespeare in the Park)

June 20, 2019

Director Kenny Leon has made his reputation with trenchant productions of contemporary and new plays by such authors as Lorraine Hansberry, August Wilson, Katori Hall and Lydia R. Diamond. Now with his delightful all-black modern dress version of "Much Ado About Nothing" at the Delacorte Theater for Free Shakespeare in the Park he demonstrates a light touch with classic plays. Led by Danielle Brooks, star of "Orange is the New Black" and Tony nominated for her performance as Sofia in the 2015 revival of "The Color Purple," the generally youthful cast is up to the requirements of this witty Shakespeare comedy. [more]