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Arron Scott

American Ballet Theatre: Whipped Cream

July 5, 2017

Richard Strauss’ surprisingly lighthearted score was first staged as a ballet in 1924 to a libretto he also wrote.  Strauss is, of course, best known for his serious, dark operas ("Salome," "Elektra," "Der Rosenkavalier," "Die Frau ohne Schatten").  This work, originally "Schlagobers" in German, appears to be a whimsical musical detour that, happily, has landed in the hands (feet?) of the very much in demand Ratmansky who, with the superior creative support of Mark Ryden (sets and costumes), Brad Fields (lighting) and, of course, the talented dancers of the American Ballet Theatre produced a candy-colored entertainment that might just serve as its new Nutcracker, a ballet that appeals to both children and adults. [more]

American Ballet Theatre: La Fille mal gardée

June 1, 2016

Leading this bucolic tale of amor interruptus were Gillian Murphy (her usual strong technique subsumed in girlish sweetness) as the farm girl, Lise, the “badly guarded girl” of the title, and Cory Stearns (at his lyrical best) as Colas, her young farmer swain. In the drag role of Lise’s mother, Widow Simone, was Marcelo Gomes, the still vibrant classicist perhaps just having a bit of fun in a character role, or keeping an eye on the future—distant future!—when character roles will be the natural progression for this great artist. [more]