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Anshuman Bhatia

Hatef**k

March 13, 2019

There’s stinging dialogue, solid construction and high powers of observation that accurately render the fractious literary milieu with Imran’s offstage agent a major figure. These all enable Ms. Mirza to spin out her enticing scenario over eight scenes in 90 often charged minutes, spanning several months. The characters are impeccably detailed and behave so realistically, causing the possible dynamic for the viewer of siding with one over the other. [more]

Ordinary Days

October 24, 2018

Adam Gwon’s song cycle, "Ordinary Days," became a cult hit when it opened the Roundabout’s Black Box Theatre in 2009 for a run of ten weeks. So successful was the show that it is one of the few Off Broadway musicals of its era to have an original cast album. As so few people were able to see the show, there has been a need for a major revival which Keen Company is now presenting at The Clurman Theatre at Theatre Row. While creating a show about commonplace moments offers its own problems, director Jonathan Silverstein’s choices have created new ones. [more]

Private Peaceful

September 8, 2018

Wearing a realistic period uniform and donning a metal helmet, the youthful and animated Mr. O’Regan recalls the electric persona of the young Tom Courtney as he vividly portrays numerous characters besides the wide-eyed Thomas. Utilizing his rich vocal talents and wiry physique, these strong characterizations include his solid brother, a vicious old woman, and various martinets. If nothing else, Private Peaceful showcases O’Regan’s considerable talents. [more]

Lonely Planet

October 23, 2017

In Jonathan Silverstein’s production, Arnie Burton and Matt McGrath as two friends who handle their fears of an unnamed epidemic in opposite ways do not seem to connect as real friends would. Ironically, while they are both known for their outrageous over-the-top comic performances, here they remain low-key and rather flat. The play may have been more involving if they had been allowed to give the kind of performances which they are most famous for. The play ultimately has a poignant denouement but it takes a long time getting there. [more]

Nibbler

March 6, 2017

Urban may have an admirable mission, in attempting to document the customary passage from youth to adulthood--or high-school to college, to be more precise--as he focuses on five graduating seniors in a middle-class suburb, in 1992, when one of them, Adam, remains behind, without any prospects for a glorious future. But the otherwise realistic play that unfolds quickly veers into surreal territory, as an alien from another planet enters their midst, and the eponymous “Nibbler” becomes ever more real a presence on stage, via a puppet, manipulated by several of the quite visible cast-members. [more]

The Mikado Reimagined (NYGASP)

January 5, 2017

In keeping with Sullivan having been hit over the head, the cast is clothed in a motley collection: a combination of late Victorian and Japanese styles. Some are in all Japanese, some in all Victorian, most are in a combination of the two. Even the Victorian costumes have baroque additions to make them look exotic. The women all wear Victorian gowns with bustles open in the back just as though they had not finished dressing. The concept while colorful is quite a mess with every possible variation on stage at the same time. [more]

Awake and Sing! 

July 16, 2015

"Awake and Sing!" seems at first an odd choice for NAATCO, the acting company dedicated to the advancement of Asian actors, but after an initial wary uneasiness, the cast, under the direction of Stephen Brown-Fried, soon takes command of Odets’ dated language, a mixture of poetic metaphor and heightened colloquialisms which was difficult to speak even in the 1930’s. [more]