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Ann Reinking

Bob Fosse’s Dancin’

April 6, 2023

Perhaps it’s the difficulty of finding dancers who can perform the intricate, body isolation moves so emblematic of Fosse’s very individual style, but to those who know and experienced his brilliance when he was hands on, this cast is a bit too clean cut and even-tempered.  (The late Ann Reinking, a Fosse muse, was more successful staging her revival of "Chicago" still setting records on Broadway after moving from its New York City Center Encores! birthplace.) Nevertheless, Cilento is using a great deal of the original vignettes, excluding a few (most particularly Fosse’s perfectly ludicrous sexualizing of a ballet class) and adding more spoken lines, including an intermittent narration given by the charming, solid Manuel Herrera who also shows off his great dancing chops. [more]

On the Town with Chip Deffaa: At the Museum of Broadway

December 13, 2022

Everyone who loves theater owes a debt of gratitude to Julie Boardman and Diane Nicoletti.  About five years ago, they got the idea of creating a museum in the theater district, dedicated to Broadway.  They would raise the funds themselves, hoping to create a self-sustaining operation.  The museum they have co-founded has now opened.  And it’s a winner! Oh, I’m not saying it’s perfect. Nothing in this world is quite perfect.  And like all new ventures, the museum is experiencing some growing pains.  (Later in this piece, I’ll suggest some ways that the museum could be made even better.) But what they’ve achieved thus far is mighty impressive.  There are a few kinks to be ironed out, but this is a major addition to the theater district. [more]

Takarazuka in “Chicago”

July 30, 2016

This Japanese version lacks the passion and darkness necessary to make this morality tale pop. The two leading ladies, Wataru Kozuki as Velma and Hikaru Asami as Roxie looked too wide-eyed and innocent to portray such trampy characters, but they moved and sang well. Keaki Mori as Matron “Mama” Morton, in her high, curly wig, totally missed the seamier sexual ambiguity of the character while Chihiro Isono as the put-upon Amos was a tad too low key. Asato Shizuki was slick, but not seamy or sexually provocative as the lawyer, Billy Flynn. [more]

The Look of Love

September 20, 2003

When polished and classy performers such as Broadway veteran Liz Callaway ("Merrily We Roll Along," "Baby," "Miss Saigon") and Capathia Jenkins ("Civil War"), as a Dionne Warwick substitute, attempt to provide some inner life to relatively uncomplicated songs, the effect is still-born. When the gentle and folksy "I'll Never Fall in Love Again" is sung in Spanish by Kevin Ceballo and danced in orgiastic spasms by Shannon Lewis, you'll see how desperate staging can get. [more]