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Amy Herzog

A 2019 Ten Best List

December 19, 2019

These superior revivals, bold new plays and a terrific solo show were the most fascinating and memorable productions I experienced this year. [more]

Belleville

September 8, 2019

The small studio theater space where the show is performed with its basic living room scenic design informs director Cameron Clarke’s resourceful and bold staging. Working in such a confined environment with the actors in close proximity to each other, Mr. Clarke emphasizes the piece’s claustrophobic, paranoid and menacing tones with vividness. Unseen ominous events taking place in the offstage bedroom and bathroom incite terror. An open window with shutters becomes a focus of dread, with the outside world represented by eerie red light and sounds of sirens. With the cast’s explosive performances and a command of the visual, Clarke realizes the play’s uneasy power. [more]

Mary Jane

October 4, 2017

The ambiguities in Mary Jane’s character seem to stem more from the writing than the acting: though her behavior remains dubious or questionable, Mary Jane comes to real life as enacted by Carrie Coon, who was such a memorable Honey in the recent Broadway revival of "Who’s Afraid of Virginia Woolf?" She’s a solid Mary Jane as well, but then, the character and her motives prove harder to pin down. The stalwart New York actress Brenda Wehle is a perfectly believable and no-nonsense Ruthie. The always reliable Liza Colón-Zayas is Alex’s caregiver Sherry, and Danaya Esperanza and Susan Pourfar are persuasive as, respectively Sherry’s niece and another mother with similar challenges. [more]