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Allison Hohman

The Archbishop’s Ceiling

May 13, 2019

As president of International PEN, the worldwide association of writers, from 1966 – 1969, playwright Arthur Miller moved about Eastern Europe freely and witnessed a great many troubling events concerning writers of all genres. These occurrences led to his writing "The Archbishop’s Ceiling," his most political play, which was presented at the Kennedy Center in 1977. Revised after the failure of this production, it had its world premiere at the Cleveland Playhouse in 1984 but was not picked up for a New York production. Since then it has been seen in London at the Royal Shakespeare Company in 1986, Budapest in 1989, Westport, Ct., in 2006 and Denver in 2015. It has finally made it to New York courtesy of Regeneration Theatre in residence at Urban Stages. [more]

Women Behind Bars

March 31, 2019

Referencing the 1950 women’s prison drama "Caged" and synthesizing all of the conventions of that cinematic genre, the late playwright Tom Eyen crafted the 1975 camp classic "Women Behind Bars." It’s been hilariously revived at the historic 13th Street Repertory Theatre in a punchy production lovingly directed by Joe John Battista. [more]

Before We’re Gone

July 24, 2018

Its maddening structure, extraneous scenes and superfluous characters diminish but do not totally obliterate the potency of playwright Jerry Small’s romantic drama, "Before We’re Gone." What could have been a focused and poignant work in the manner of William Gibson’s duologue "Two for the Seesaw" is instead an erratic jumble. [more]