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Alex J. Gould

Balls

January 26, 2018

Playwrights Kevin Armento and Bryony Lavery take the well-known facts that have been explored in documentaries and in the feature film "Battle of the Sexes" and shovel on a cascade of imagined sub plots, heavy-handed theatrical techniques and sociological trimmings. The opening voice-over prologue is a wry pseudo-scientific lecture about men and woman.  This narrator sounds like Jane Lynch at her most sarcastic and it’s supposed to be funny but falls flat.  The strident tone of the show is set. [more]

The Woodsman

February 15, 2016

The forest setting by Ortiz seems to envelop the audience as does the sound design which is created by the actors in tandem with violinist Naomi Florin who plays Edward W. Hardy’s melancholy original score throughout the evening. The impressive Bunraku-style puppets are the work of Ortiz who seems to be a one-man theater corporation able to do everything required himself including his co-direction with Claire Karpen. The only wrinkle is that at times it is a bit confusing as to what is happening since after the opening prologue there is no dialogue and some of the mime is ambiguous. However, the show with folk-style backwoods costumes by Molly Seidel and atmospheric lighting by Catherine Clark & Jamie Roderick is always theatrical, always hypnotic. [more]