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Adam Cork

Hughie

March 5, 2016

When the audience enters, the curtain is up and Christopher Oram’s imposing scenic design of the faded hotel lobby is in view. The visual effect of its industrial greenish walls, dirty stone columns, chipped wooden adornments, ancient elevator, central staircase, frayed threadbare furnishings, severe front desk, and grimy windows is that of a stunning representation of hellish imprisonment. Also on view while the audience waits the play to start is the night clerk staring into space. [more]