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Rob McClure

Broadway’s “Mrs. Doubtfire” Takes a Nine-Week Hiatus Due to Covid-19

January 7, 2022

The show's pre-Broadway, out-of-town tryout was very successful financially, suggesting that there's an audience for the show. (The show broke box-office records in Seattle, during its tryout.) But that was before the pandemic. As company members began testing positive in December, the show was forced to cancel a number of performances, costing the production a lot of money.  And after spending six years developing the show, its creators did not want to see the show die due to Covid-19.  So they are trying this nine-week hiatus now, in the hope that it will give the show a chance at long-term viability later. [more]

Mrs. Doubtfire

December 12, 2021

Broadway fixture Rob McClure occasionally channels Robin Williams with sparkling riffs and simulated ad libs but makes the roles of Daniel and Mrs. Doubtfire his own and each distinctive especially with his trilling Scottish burr. With his commanding singing, dancing and acting talents, Mr. McClure is a stage marvel up there with Jim Dale, effortlessly veering from comic to poignant. Jenn Gambatese is delightful as Miranda, finely balancing seriousness with madcap as the pragmatic wife. As the children, Analise Scarpaci, Jake Ryan Flynn and Avery Sell all offer appealing characterizations. Brad Oscar is uproarious as always as Daniel’s brother. As his fierce husband, J. Harrison Ghee is magnetically hilarious. Peter Bartlett scores as a weird over the hill children’s television host. The animated Charity Angél Dawson’s child welfare official is a grand take on bureaucratic officiousness. In the brief role of a television network executive, Jodi Kimura is wickedly deadpan par excellence. [more]

Beetlejuice

May 22, 2019

Not all cult movies need to be made into musicals, particularly those that are dependent on special effects which the cinema does better than the stage. This is demonstrated by the new Broadway musical based on "Beetlejuice," the Tim Burton horror-comedy-fantasy. This theme park-type show is visually a spectacle with a set that does all sort of tricks and changes, but as the adage goes, you can’t go home singing the scenery. And the score by Australian composer/performer Eddie Perfect (whose only other American score has been "King Kong the Musical") is eminently forgettable. In the title role, Alex Brightman, who was charismatic in a similar role in "The School of Rock," is so over-the top that he becomes tiresome very quickly. To paraphrase Mae West, too much of a good thing is not wonderful. [more]

ON THE TOWN with Chip Deffaa …. for July 5th, 2016

July 5, 2016

I’ve always liked Andrew Keenan-Bolger's work. He was a memorable child actor, playing leads on Broadway in shows like "Beauty and the Beast" and "Seussical," when he was around 13 or 14 years old.  I admired  his sunny, open-hearted work then.  And he's even more successful today (at age 31)  as an adult--not every child actor can make such a transition. He conveys the same sort of buoyant spirit on stage now as he did when I first saw him in those  shows he did so well as a youth.. (His whole family is talented.  He and his sisters, Celia Keenan-Bolger and Maggie Keenan-Bolger, are all making their contributions to the arts.) [more]

Noises Off

January 29, 2016

While Frayn’s roles are juicy parodies of very specific kinds of people, for the laughs to roll in one on top of the other, the play must be performed fast enough that we don’t have time to think about it or what we are laughing at. Consequently, though the production is entertaining for its comic portrayals, it fails to trigger all the laughs inherent in the script or become the laugh riot it is intended to be. Possibly, as the actors have more performances under their belts, the play may pick up speed and more laughs along the way. [more]

Irma La Douce

June 1, 2014

Alas, by intermission many in the audience were asking each other: this was a Broadway smash? From Encores! we have come to expect Champagne, and this was a dreary vin ordinaire, a bit pale and a bit stale. [more]