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Olivia Jampol

Lou

May 30, 2017

The opening scenes augurs well, hinting at the deeper emotional motivation for Salome’s future behavior, her decision to avoid romantic involvement. As the lights gradually rise to reveal Salome, seated at her desk, her back to the audience, she is described by disembodied voices as a contradictory figure who is loved and respected in equal measure. Then Salome, the product of a respectable, well-to-do upbringing, tells a tale of being duped by the kitchen help when she was a child. The look on Mieko Gavia’s face as Lou Salome after revealing this traumatic event makes it clear that she will never be duped again. Ms. Gavia skillfully portrays Lou Salome as a stalwart anti-romantic who, nevertheless, knows that friendships with the influential males of her time were a necessary evil. [more]

Two Class Acts: Squash & Ajax

November 5, 2016

Whether you see one or both of Gurney’s "Two Class Acts," these are provocative plays of ideas on topics of the day. The playwright continues to demonstrate that he has a wise and discerning view of the human condition. Director Stafford Arima has done a beautiful job of obtaining all of the nuances and humor out of the two sharp and intelligent situations. The casting for both plays could not be improved as the actors make their roles their own. The Flea Theater leaves White Street on a high note with two entertaining and superior productions that will close the space with honor and distinction. [more]

Wolf in the River

March 26, 2016

Directed by the author, "Wolf in the River" is an environmental production as the audience is invited to sit in folding chairs around a mound of earth with forlorn flowers, garbage and debris. However, there are set pieces and props located in the four corners of the venue as well. When the play begins, a man sitting in the audience gets up, strips off his shirt and shoes, and becomes the play’s narrator and master of ceremonies, as well as one of the characters. In an unnamed Southern American location, we are on the banks of a river (the audience is the river) filled with alligators. Six actors in pasty make-up wander around the outer perimeter of the room. Although the program does not explain their presence, the script reveals that they are the ghosts of those who have perished in the river. [more]