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About Alice

Dramatization of Calvin Trillin’s memoir about his late wife Alice, educator, mother and muse, proves to be a charming if light-weight evening.

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Carrie Paff and Jeffrey Bean in a scene from Calvin Trillin’s “About Alice” (Photo credit: Henry Grossman)

Victor Gluck, Editor-in-Chief

Victor Gluck, Editor-in-Chief

Humorist and journalist Calvin Trillin has made his wife Alice Stewart Trillin, educator, writer, mother and muse, famous from such books as Alice, Let’s Eat, Travels with Alice and Family Man. When she passed away in 2001, many readers felt they knew her well enough to send Trillin condolence notes. His acclaimed 2006 memoir, About Alice, introduced her to a wider audience. Now Theatre for a New Audience has commissioned Trillin to dramatize the book as a two hander under the direction of Leonard Foglia. The play with Jeffrey Bean as Calvin and Carrie Paff as Alice is quite charming but Alice herself remains elusive.

According to Trillin’s program notes, aside from the memoir of the same name, Alice’s addresses to the audience are drawn from her essays and letters. Additionally he has used anecdotes told in such books as Alice, Let’s Eat and Alice’s Dear Bruno. The play covers the period starting in 1963 when Calvin meets Alice at a party in New York and concludes with her passing in 2001. Narrated by Bean as Calvin, we learn about their lives and careers as well as Alice’s opinions on food, child rearing, dealing with illness, interior decoration, money and humor. We see them arguing about many of the same issues. Someone once said about them that “They’re like Burns and Allen,” and Alice retorts “Except that she’s George and he’s Gracie” which proves to be true. She is also described as a “dietician in sensible shoes.”

Jeffrey Bean and Carrie Paff in a scene from Calvin Trillin’s “About Alice” (Photo credit: Henry Grossman)

As portrayed by Trillin, Alice is a remarkable person known for helping “anyone she loved, or liked, or knew, or didn’t quite know but knew someone who did, or didn’t know from a hole in the wall but had just gotten a telephone call from because they’d found the number in the telephone book.” She also displays indomitable spirit in the face of the lung cancer for which she was operated on in 1976 and which eventually recurred and caused her early death at 63. The way she dealt with it is an inspiration to us all. We also hear about their bringing up their daughters Sheila and Abigail to be intelligent, compassionate beings.

Bean and Paff have a tremendous rapport, he somewhat wry as Trilln’s writing, she bemused by his pronouncements; he, the fantasist, she, the realist. Described as a beautiful blonde, Paff lives up to that description. However, neither of them seems to age even though 36 years go by in the course of the play’s 80 minutes. The play also seems lightweight as it is very episodic, being told as a series of vignettes. It also doesn’t have a cumulative feeling as it is not told in chronological order but moves thematically or by stream of consciousness association of ideas.

The unit set by Riccardo Hernandez with a table and two chairs cleverly stands in for various rooms and locations but fails to create any atmosphere. Russell H. Champa’s lighting helps with the time shifts. While Bean has no costume changes as Calvin Trillin is onstage throughout the evening, Paff has several attractive outfits each time we see her designed by David C. Woolard, which though classic, also do not delineate the passage of years.

About Alice is a lovely tribute to a remarkable woman who lived a notable life cut short by cancer. As Calvin and Alice Trillin, Jeffrey Bean and Carrie Paff are appealing company. However, the play is Alice as seen through Trillin’s eyes and as such she remains a tantalizing yet mysterious figure always just out of reach. The writing is graceful and witty, though not much of it will stay with you for long.

About Alice (through February 3, 2019)

Theatre for a New Audience

Samuel H. Scripps Mainstage, Polonsky Shakespeare Center, 262 Ashland Place, in Brooklyn

For tickets, call 866-811-4111 or visit

Running time: 80 minutes with no intermission

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Victor Gluck, Editor-in-Chief
About Victor Gluck, Editor-in-Chief (935 Articles)
Victor Gluck was a drama critic and arts journalist with Back Stage from 1980 – 2006. He started reviewing for in 2006, where he was also Associate Editor from 2011-2013, and has been Editor-in-Chief since 2014. He is a voting member of The Drama Desk, the Outer Critics Circle, the American Theatre Critics Association, and the Dramatists Guild of America. His plays have been performed at the Quaigh Theatre, Ryan Repertory Company, St. Clements Church, Nuyorican Poets Café and The Gene Frankel Playwrights/Directors Lab.

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