News Ticker

Aynur, with special guest Kinan Azmeh (September 30, 2018)

A luminously exciting contemporary Kurdish singer.

Share your thoughts in the comment section below.

Aynur (Photo credit: courtesy of the artist)

Jean Ballard Terepka

Jean Ballard Terepka, Music Critic

Presented by the World Music Institute in collaboration with The School of Jazz and Contemporary Music at The New School, Kurdish singer Aynur Dogan from Turkey recently offered to an enthusiastic international audience a marvelous concert of more than ten songs. Accompanied by special guest Kinan Azmeh on clarinet, Salman Gambarov on piano and Cemil Qocgiri on tenbur, Aynur told musical stories.

Each song – some traditional folk ballads and some national calls to history and identity – became, in Aynur’s hands, an individual work of art, intricately structured and elegantly paced. Aynur combined subtle artistry with intimate, fresh connection to both her colleague musicians and her audience. Singing in Kurdish and seamlessly incorporating Western contemporary motifs, Aynur conveyed accounts of human events – hope and fear, joy and grief, wisdom, innocence, experiment and embrace – that were clear and compelling, even for audience members who couldn’t understand her words.

Aynur is more than a marvelous performer or fine musician. Her art transcends mere singing as a form of entertainment. She uses her voice as an instrument of the sacred. She chants, prays and summons: ghosts and visions, dreams and memories are all at her immediate command. She embodies womanliness as she flirts, seduces, soothes, embraces, coos, teases and celebrates; she stands in for people of every age and every gender-identity as she encourages and begs, commands, weeps, inspires, laughs, goads and mourns. She makes all human utterances, from whispers to wails, murmurs to shouts into music that is at once new and universal, individual to her and common to us all.

As the evening came to a close, Aynur chose songs whose lyrics and choruses the audience knew; men and women of all ages sang along with her. Even in a fixed, formal auditorium performance space, she successfully closed any distance between herself and the audience: she brought us all together in a shared experience of describing our own humanity.

Like many international artists bringing music of a particular culture, geography and history to a world audience, Aynur uses the uniqueness of what is hers – her language, her heritage – to illuminate and nourish spiritual universality.

Aynur, with special guest Kinan Azmeh (September 30, 2018)

World Music Institute in collaboration with The School of Jazz and Contemporary Music at The New School

John L. Tishman Auditorium of The New School, 69 Fifth Avenue at 13th Street, in Manhattan

For more information: See or

Running time: two hours without intermission

Share your thoughts in the comment section below.

Jean Ballard Terepka
About Jean Ballard Terepka (128 Articles)
Jean Ballard Terepka, a native and life-long New Yorker, has been writing about music for twenty years. In addition to her continuing career as an independent educational consultant, Terepka also works as an archivist and historian with specialties in American cultural, intellectual and religious history. Terepka serves on the Executive Committee of the Harlem African Burial Ground Task Force and on the Board of National Episcopal Historians and Archivists; she is a member of the Music Critics Association of North America.

Leave a comment

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.