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Montana Levi Blanco

Is God Is

March 14, 2018

On the basis of “Is God Is,” Aleshea Harris is a new voice in the American theater whose work bears watching in the future. The play is the latest in a long line of revenge stories from the Bible to Quentin Tarantino. The nagging question becomes does Harris have an underlying theme other than the righting of past wrongs by violence. However, Magar’s riveting production never gives the viewer a chance to ponder on this dilemma while the tightly written drama is unfolding before you. While the play has a dark humor throughout, in a parody of the famous Louis Jordan song, it seems to ask the question, “Is God is or is God ain’t?” After witnessing the retribution of the sisters, only the viewer can decide for him or herself. [more]

He Brought Her Heart Back in a Box

February 6, 2018

Whereas Kennedy became famous with plays that use myth, history, surrealism and Theater of the Absurd to tell their stories, this play tells a realistic tale in poetic form, its very brevity belying its depth of feeling. The play incorporates the styles of romantic drama, Elizabethan tragedy, old-fashioned operetta, a murder mystery, and recent history of the not so distant past. Events in the play were suggested by Kennedy’s mother and her own visits to her grandparents in the Jim Crow South. [more]

Pipeline

July 30, 2017

From Dominique Morisseau, the author of the critically acclaimed Skeleton Crew, Detroit ’67 and Sunset Baby, comes another powerfully provocative and riveting, but overwrought, play which investigates black rage, racial stereotyping, and parental mistakes. Just try to take your eyes off the high octane production by Lileana Blain-Cruz, which has been brilliantly cast with its six actors, all but Karen Pittman (the Pulitzer Prize-winning Disgraced) making their Lincoln Center Theater debuts. Morisseau may not have all the answers but she certainly looks at the questions from all angles. The play’s title is a reference to the metaphor for “the school to prison pipeline” that describes the blighted lives of so many ghetto youths who fail before they finish their education and was the topic of Anna Deavere Smith’s "Notes from the Field" seen Off Broadway last fall. [more]

Orange Julius

January 23, 2017

On the one hand, it is a punch in the gut dramatizing the cold hard facts of disintegrating with this disease; on the other, the non-linear time scheme is difficult to follow, offering more questions than it answers. What "Orange Julius" really is could be described more accurately as a screenplay or a teleplay with cuts and fades. There is a powerful work hiding in this material but it still remains unshaped. Under Dustin Wills’ fast-paced direction, Jess Barbagallo, Ruy Iskandar, Irene Sofia Lucio, Stephen Payne and Mary Testa give fine performances despite the fact that the play seems to wander around trying to find its center. [more]

Hamlet (Mobile Unit 2016)

September 24, 2016

The single disadvantage of director Patricia McGregor’s approach is that in cutting so much text, the events of the play seem to occur one on top of each other, making the play a bit melodramatic, and a good deal of character development is sacrificed by the way. However, with dangerous-looking fight direction by Lisa Kopitsky and intriguing movement by Paloma McGregor, this is a "Hamlet" that lives up to its mission to be accessible and entertaining to all, those who know the play well and those seeing it for the first time. [more]