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Mark Morris Dance Group

The Look of Love (Mark Morris Dance Group)

March 27, 2024

"The Look of Love" was filled with Morris’ least complex choreography, relying on repetition, walking, running and soft leg extensions along with simple arm gestures.  Considering the sophistication and elegance of Iverson’s arrangements for the MMDG Music Ensemble, Morris, whose musicianship is his best feature, clearly decided to go for the obvious and easily digestible.  Nothing wrong with this approach, but it made "The Look of Love" appear less substantial than it really was. [more]

Mark Morris Dance Group 2019: “Sport”

July 12, 2019

The world premiere “Sport,” choreographed to more than twenty bits and pieces by Erik Satie, appropriately named “Sports et divertissements” (played by the brilliant pianist Colin Fowler), was a not very exciting examination of every competitive sport from golf to sailing to swimming to running to tennis to etc. Dressed in Elizabeth Kurtzman’s colorful one-piece overalls, the cast of twelve imitated in both exaggerated and subtle ways these activities, sometimes in silence and sometimes to the Satie music. Morris is imaginative enough to turn athletics into dance, but the work was simply too episodic and disjointed even with his use of repeated motifs—like dancers being dragged across the stage on large swaths of cloth—to give the work some unity and form. The end result was more of beautifully crafted mime than a full-fledged ballet. [more]

Mark Morris Dance Group: Pepperland

May 16, 2019

"Pepperland," however, will not do anything for Morris’ reputation as a choreographer.  His dearth of choreographic invention—including constant repetition of a few steps, gestures and partnering tricks—was hidden behind colorful period costumes (Elizabeth Kurtzman), an odd set consisting of piles of reflective ribbons (Johan Henckens), inspired lighting (Nick Kolin) and fantastic arrangements of songs from the Beatles’ landmark 1967 "Sgt. Pepper’s Lonely Hearts Club Band" album (Ethan Iverson).  There’s something to be said for simplicity, but if it were not for the other elements "Pepperland" would not hold up to some of his other ingenious masterpieces like "Grand Duo," "Dido and Aeneas" and his superb "L’Allegro, Il Penseroso ed il Moderato." [more]