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Tina Chilip

Mothers

September 26, 2019

The first act of Anna Moench's "Mothers" concludes with a genuine shock as the playwright startlingly upends all of our expectations. Visually punctuated by Wilson Chin's suddenly not-so-stable set, this audacious turn suggests Moench's intermittently funny satire of upper middle-class motherhood at a "Gymboree-style playroom" has only been a prelude to something much more challenging and profound. Unfortunately, what you soon begin to suspect is that Moench just ran out of narrative steam and started writing something else. [more]

Twelfth Night, or What You Will (Fiasco Theater)

December 21, 2017

While not as memorable as several previous Fiasco Theater productions, this "Twelfth Night" takes a while to get where it is going. After winding up the plot in the first half, it settles down to sparkling comedy in its second. A bare-bones production, it focuses attention on the language and the music rather than the usually rich trappings. It is an easy production to follow without being distracted by extraneous interpretations or ideas. [more]

House Rules

April 10, 2016

Featuring a talented and engaging cast as well as an inventively designed set that adds tremendous production value, "House Rules" would seem to have all the necessary elements of a successful production. However, though the technical and theatrical aspects of this production are undoubtedly successful, the message of this story is somehow lost along the way. Somewhere down the line, this heartfelt family story devolves into a set of characters with clichéd motivations and almost no character growth; characters who are far too often put into storylines which never receive that oh-so-satisfying payoff that differentiates an exceptional theatrical experience from the ordinary. [more]