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Mateo d’Amato

Not About Me

January 19, 2023

Eduardo Machado’s 11th play to premiere at Theater for the New City is called "Not About Me" which is a complete misnomer as it is about his life for the last 40 years with his alter ego at its center. Marketed as a “memory play that takes audiences on a haunting journey through the mind of a playwright during Covid-19 lockdown,” in fact, it is about his friends who died during the last pandemic, the mysterious “gay disease” that came to be called AIDS. Other than as a tribute to those lost friends, it is difficult to see the message of the play as it depicts a great deal of risky behavior. [more]

Barabbas

July 3, 2019

While Will T.F. Carter’s "Barabbas" is very outspoken on the topic of political corruption in Peru, the play is dramatically weak as so much of it is exposition. In each scene we learn a little bit more about the men’s lives, but little that is new happens in the play’s 90 minutes. The tepid direction by Eduardo Machado gives us too much time to consider the play’s deficiencies and makes the play seem longer than it is. Carter’s anger at what is going on in Peru is commendable, but Barabbas does not utilize that indignation except on an intellectual basis. [more]

The Shakespeare Conspiracy

April 28, 2018

"The Shakespeare Conspiracy" is based on Ted Bacino’s novel of the same title that he and Rufus Cadigan have adapted for the stage. Their effort is not in the league of such highly skilled dramatists as Peter Shaffer, Tom Stoppard and David Hare who used speculatively historical backgrounds for some of their esteemed works.  Instead, Mr. Bacino and Mr. Cadigan offer a choppy series of overheated episodes and vignettes spanning 40 years, from 1593 to 1633 chiefly taking place in England with plentiful and heavy-handed dialogue. [more]