Lynne Steincamp

Varone employs movements loosely flung out from the body’s core; sudden, inexplicable pauses; (painful looking) drops to the floor (usually onto a knee!); contrasting chaotic activities with stillness, high with low and slow with fast. There is a sense—clearly mistaken—that the choreography is improvised which makes for unfocused and nervous stage pictures. The fact that his dancers, a diverse bunch, wear his movement style like a second skin adds an excitement to his ballets. They seem born to his particular style and give it an offhanded grace, looking more like people moving rather than dancers. [more]