News Ticker

Hubert Howe

New York City Electroacoustic Music Festival 2018: Overview

August 31, 2018

This year, the Festival site was the Abrons Arts Center; the three performance venues in the facility – the Experimental Theater, the  Playhouse and the Underground Theater – were all used. In the spacious Center, performers, composers and audience socialized and exchanged ideas and personal news throughout the week. Though the Festival composers came from many countries all over the world, the “community” of electroacoustic music is quite small; performers often know each other and each others’colleagues and friends, knowledgeable audiences and strong supporters … an exceptionally eclectic and vibrant group, all interested in music that both affirms and expands the core questions about music that composers, performers and listeners have been exploring for centuries. [more]

C4: The Choral Composer/Conductor Collective presents New Music with NY Composers Circle

May 31, 2018

The nine pieces on this program differed tremendously from each other in style, tone and effect. However, two important qualities unified all the performances. First, the composers all caused their music to emerge from their chosen texts: they did not impose sound arbitrarily unto the words. The organic coherence of word and musical sound resulted from both the composers’ innate gifts and their consummate skill. Competent choral composition is difficult; really successful choral compositions are very rare. Second, the music was superbly performed: not merely does C4 sing well, but because the C4 singers are all themselves composers, they inhabit each work’s intentions with particularly keen intelligence. [more]

2017 New York City Electroacoustic Music Festival: Overview

August 7, 2017

In the seven concerts of the second half of the 2017 New York City Electroacoustic Music Festival held this month at National Sawdust in Brooklyn, New York, the full diversity and eclectic versatility of electroacoustic music was on vibrant, energetic display; the densely packed weekend of music was exciting, sometimes disconcerting and sometimes thrilling, and always fascinating. Sixty-six works by sixty-six composers were performed … a dizzying array of instruments, equipment, performers, sensibilities and effects! [more]