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David Auxier

H.M.S. Pinafore (NYGASP)

December 30, 2017

Along with some contemporary updating which always gets a laugh, Albert Bergeret’s direction is sharp and shrewd and his conducting of Sullivan’s sprightly and animated score is equally assured as well. The diction is crystal clear, a must for Gilbert’s intricate and clever lyrics. With an attractive and realistic setting by Albère and pleasingly color-coordinated costumes in blue, white and red (the colors of the Union Jack) by Gail J. Wofford, this is a delectable and entertaining revival for both those familiar with it and others discovering its pleasures for the first time. [more]

The Mikado Reimagined (NYGASP)

January 5, 2017

In keeping with Sullivan having been hit over the head, the cast is clothed in a motley collection: a combination of late Victorian and Japanese styles. Some are in all Japanese, some in all Victorian, most are in a combination of the two. Even the Victorian costumes have baroque additions to make them look exotic. The women all wear Victorian gowns with bustles open in the back just as though they had not finished dressing. The concept while colorful is quite a mess with every possible variation on stage at the same time. [more]

Princess Ida (2016)

May 28, 2016

Completing New York Gilbert & Sullivan Players’ 40th Season was a rare revival of 1884 "Princess Ida," the team’s eighth operetta and the only one in which the dialogue is in blank verse, it is presented in three acts, and it is based on a previous play by Gilbert. In the playwright/librettist’s second parody of Tennyson’s book-length poem "The Princess," the themes include feminism, education for women, Darwinism and the Battle of the Sexes. While the operetta still displays its relevance and timeliness, the NYG&SP production proved to be uneven in several categories. [more]

The Pirates of Penzance

December 30, 2015

The cast includes beloved NYGASP favorites as well as some less familiar faces. Coloratura soprano Sarah Caldwell Smith’s Mabel wins a justly earned ovation signing her aria, “Poor Wandering One!,” declaring her love for Frederic. He is played with cheerful restraint by tenor Carter Lynch (alternating with Daniel Greenwood). Bass-baritone David Wannen has a fine swashbuckling time as The Pirate King. Contralto Angela Christine-Smith as Ruth gives a memorable rendition of her aria, “When Frederic Was A Little Lad.” Bass David Auxier as the Sergeant of Police deals delightfully with his band of bumbling officers. [more]

The Gondoliers

May 24, 2015

Founded by Albert Bergeret in 1974, he continues to this day as artistic director for the NYGASP, and on this occasion served as director and conductor, with an assist by choreographer David Auxier on the direction. A daunting and impressive achievement, this production also marked the conclusion of the first season in which the NYGASP performed in their new residence: NYU Skirball Center for the Performing Arts. A beautiful and state of the art theater, this is a space that can handle the grandeur and scale of a G&S piece. The theater provides remarkable production value, including a massive pit to house the almost thirty person orchestra. Thanks to the latest in acoustic engineering and innovation, the music of "The Gondoliers" was robust and invigorating. Led by Bergeret, the score filled every inch of the theater and truly transported the audience to another time and place. [more]