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Fandango for Butterflies (and Coyotes)

A rousing and moving play with music, songs and dance derived from undocumented Latin American immigrants’ life stories of pre and post-arrival in the U.S.

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Carlo Albán, Sinuhé Padilla and Andrés Quintero in a scene from “Fandango for Butterflies (and Coyotes)” produced by En Garde Arts (Photo credit: Maria Baranova)

Darryl Reilly

Darryl Reilly, Critic

And they had told us to get to 14th street, and there’d be a white car,

and there was the car and we said the code and they stuck us inside.

And from there they took us to Tucson, Arizona.

ICE raids, harrowing border crossing journeys and transferring money home are depicted in the rousing and moving play Fandango For Butterflies (and Coyotes). It’s derived from undocumented Latin American immigrants’ stories of why they left their countries and of their lives in the United States. Reminiscences and dramatic complications are interwoven with terrific dance sequences and lovely songs.

Playwright Andrea Thome interviewed a number of subjects from among countries such as Mexico, Guatemala and Honduras. These testimonies have been fashioned into an engaging documentary-style scenario. The six appealing main characters are at a New York City church community center for a celebration and also awaiting the arrival of one’s cousin from their homeland. There is the suspense of whether he has been detained or just gotten lost as he, like them, has entered the United States illegally.

Roberto Tolentino with the company “Fandango for Butterflies (and Coyotes)” produced by En Garde Arts (Photo credit: Maria Baranova)

Ms. Thome expertly imparts biographical details for everyone as we learn of their jobs, family situations and aspirations. The play reaches a major climax after 75 minutes with the resolution of a chief plot point but goes on for another 25 minutes. A more focused and contained structure would have been ideal.

The bright and talented cast of Carlo Albán, Jen Anaya, Silvia Dionicio, Sinuhé Padilla, Andrés Quintero, Frances Ines Rodriguez and Roberto Tolentino portray the noble strivers. The beaming musician Tania Mesa is onstage as well.

Director José Zayas’ energetic staging and Alexandra Beller and Mr. Padilla’s exhilarating choreography endows the production with momentum and visual flair. Padilla also composed the tuneful score and wrote the Spanish lyrics, while Thome wrote the English lyrics. Two large television monitors above the sides of the three-sided playing area display English and Spanish translations.

Carlo Albán, Jen Anaya, Sinuhé Padilla and Silvia Dionicio in a scene from “Fandango for Butterflies produced by En Garde Arts (and Coyotes)” (Photo credit: Maria Baranova)

Johnny Moreno’s striking projection design indicates differing locations and also has moody abstract imagery. Mr. Moreno’s minimal scenic design effectively conveys the setting. Lighting designer Lucrecia Briceno perfectly complements the varying tones and situations with zesty hues. Marcelo Añez’s sound design renders the music, singing and effects with richness. Employing jeans, everyday garments and native flourishes, costume designer Fabian Fidel Aguilar creates just the right look for each character.

Fandango For Butterflies (and Coyotes) is a heartfelt, informative and accomplished exploration of its controversial topic. After its LaMaMa run, it will be touring throughout New York City.

Fandango For Butterflies (and Coyotes) (February 6 – 15, 2020 at La MaMa,  other locations February 19 – March 12, 2020)

En Garde Arts

Ellen Stewart Theatre at La MaMa, 66 East 4th Street, in Manhattan

For tickets, call 212-352-3101 or visit http://www.engardearts.org

Running time: 100 minutes without an intermission

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Darryl Reilly
About Darryl Reilly (726 Articles)
A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for Theaterscene.net.

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