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Truett Felt

The Crucible (Bedlam)

November 25, 2019

As produced by Bedlam in association with The Nora, Arthur Miller’s 1953 tragedy, "The Crucible," based on the Salem Witch Trials proves to be both riveting and relevant all over again. In the past, the play was seen as a cautionary tale about the McCarthy Era witch hunt that destroyed so many lives. Now in 2019 it becomes a story of truth and lies, fiction and fact. One of the judges refers to the situation in Salem as “this swamp.” In the age of Trump, Miller’s play has new meaning for our time. You could hear a pin drop during Eric Tucker’s unfussy production which becomes more and more scary as the Salem witch trials progress and the townspeople become entirely carried away by the hysteria. [more]

The Comedian’s Tragedy

June 30, 2019

Matthew Amendt’s new play "The Comedian’s Tragedy" asks the burning question why did Aristophanes, the master of Greek comedy, never write any tragedies. Socrates in Plato’s "Symposium" equated comedy and tragedy with Aristophanes present, but the question does not seem to have been asked these 2,400 years. While Amendt attempts to pass off his play as history, he plays fast and loose with the actual facts. Director Bill McCallum’s production does not help things by having the actors from ancient Athens mainly in contemporary clothing and having several historically male characters played by women. As most of the people in the play are not household names except to Greek scholars, this makes the play much more difficult to follow let alone recall what one should know about life in the days of Socrates and Aristophanes. [more]