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Theo Stockman

Black No More

February 19, 2022

"Black No More," the new musical inspired by George S. Schuyler’s 1931 Afrofuturist novel, is the most exciting and inventive new show to be seen so far this season in New York though it is still in need of work. With a book by Academy Award-winning screenwriter John Ridley (12 Years a Slave), the stage version drops Schuyler’s scathing satire of Harlem Renaissance and Depression figures as well as its political election hijinks for a more direct story about race and racism in the United States. As brilliantly staged by Scott Elliott for The New Group, Black No More is also a play of ideas and will keep you thinking and debating long after the final curtain in this story of the sacrifices people have to make to change the world. [more]

This Ain’t No Disco

August 7, 2018

"This Ain’t No Disco" is a compressed, zany look at the years in the 1970s that Studio 54 ruled the social whirl of New York City, complete with debauchery, drugs, loud music, semi-nudity and dancing (brilliantly evocative choreography by Camille A. Brown—herself no slouch with "Once on This Island" under her belt.) The libretto hews closely to the facts about the rise and fall of this mecca of A-list celebrities, including real people—Steve Rubell, Andy Warhol (here called The Artist)—and a host of fictional characters who represent a cross-section of the clientele, from pretty boy bartenders/drug dealers to undercover government agents looking for a chink in Rubell’s armor.  The Mudd Club also makes a guest appearance as well as the homes of several of the characters whose mixing and matching drive the play. [more]

American Psycho The Musical

May 16, 2016

Stylish and stylized, the stage design includes Es Devlin’s white box of a set which transforms instantaneously into apartments, offices, restaurants, discos, a health club, a locker room, and the beach in the Hamptons. Color-coordinated with lighting by Justin Townsend and costumes by Katrina Lindsay, the stage picture is often black and white with a touch of red, a tie, the men’s suspenders, a leopard, a bikini, or eventually splashes of blood. Townsend’s lights turn the set blue, green or red. The spectacular ever-changing video design by Finn Ross includes abstracts, cartoons, cityscapes, computer generated designs. Initially the main characters all in black, but as the story spins out of control other colors are added. And for eye candy, there are the hardbodied members of the cast with physiques to die for, with the men with enviable abs often in their shorts. [more]